One Version of a Daily Practice

By ELIZABETH WITTE

1.     The Origin of the Species.

Patterns in coffee cup

Put the yellow kettle on. Ignore the floors in desperate need of cleaning. Fill the small metal base of the Bialetti with water (just to the safety valve). Spoon coffee from the ice-cold Viennese candy tin into the funnel. Screw the top on (tight, but not too much so) and put it on the stove. Don’t let the flame overtake it. Tuck the yellow and green-leafed curtain behind its hook. Look out at the ugly building across the way, the Greek and American flags, the third floor doors to an abandoned idea of balconies.

One Version of a Daily Practice
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Sound City

Artist: EMEKA OGBOH

Emeka Ogboh | Bus

Lagos, Nigeria is growing fast but travels slow. The city, which is Africa’s largest, has doubled in population within the past seventeen years, crowding its roads and bridges with many millions of people – too many for the city’s recent infrastructure investments to keep up. Traffic jams, called go-slows, ensue. But while Danfos, the yellow minibuses that are public transportation in Lagos, tend to get stuck, its passengers don’t. While buses crawl, Lagosians move: playing street music, revving engines, hawking products, shouting directions and taking phone calls.

Sound City
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Language as the Homeland: An Interview with Eleanor Stanford

ZINZI CLEMMONS interviews ELEANOR STANFORD

Eleanor Stanford

Eleanor Stanford is the author of the memoir História, História: Two Years in the Cape Verde Islands, and of a poetry collection, The Book of Sleep. Stanford’s essay “Geology Primer (Fogo, Cape Verde)” was published in Issue No. 06 of The Common. Fellow Philadelphian Zinzi Clemmons chatted with Stanford about poetic form, the importance of language, and ways to feel at home in the world.

Language as the Homeland: An Interview with Eleanor Stanford
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Review: Dragon Logic

Book by STEPHANIE STRICKLAND
Reviewed by TERESE SVOBODA 

Dragon LogicBegin with the cover of Dragon Logic: double Garamond italic ampersands. Inverted they propose elegant dragons against a green hide background. “TWO dragons,” Stephanie Strickland writes in the eponymous poem, “keep a pearl/in the air untouched/if yes then no if no then yes.” Their “dragon logic” insists that the reader consider sets that consist of themselves, a common problem in questions of reflexivity where the self of the self-reference is a human self. This proposition enlarges the idea of the juggling proposed by John Keats’ concept of negative capability—“when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”

Review: Dragon Logic
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What Is RiverFirst?

By SCOTT GEIGER 

map of river

The Mississippi River meets only one waterfall on its wayward transcontinental course. It comes early, in the northern Midwest, at a site the Sioux knew as a place that was part real world, part spirit world. Seventeenth-century adventurers rumored about a “pigmy Niagra” called St. Anthony Falls. Pioneers from the young United States reached these waters early in the nineteenth century; they established simple mills for grist and lumber just as soon as property rights could be legally defined.The mills grew and industrialized over decades, triggering the rise of Minneapolis. A feature of nature became a technology servicing the city. The names Gold Medal Flour and Pillsbury still loom in enormous metal type on opposite sides of the historic railway bridge leading into Minneapolis that was new when F. Scott Fitzgerald was a boy. The historic mills themselves have gone, though, and today Stone Arch Bridge belongs to pedestrians, cyclists, and the students of the University of Minnesota. Looking north from the bridge they see an amphitheater of a spillway, tall gray waters pouring between a research lab and hydroelectric plant on the east side; a lock-dam barge elevator run by the Army Corps of Engineers on the west.

What Is RiverFirst?
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Who Do You Write For?

Event Date: 
Tuesday, April 22, 2014 – 7:00pm9:00pm
Location: 
Center for Fiction, NYC

 

Have you ever read a novel and felt as though the author was speaking directly to you? Or about you? Guernica and The Common  contributors come together to read from and discuss fiction they feel was written just for them and who their own work is addressed to, if anyone. Featuring Benjamin Anastas, Dina Nayeri, Kiese Laymon. Moderated by The Common Editor in Chief Jennifer Acker and Guernica Senior Fiction Editor Meakin Armstrong. Click here for more event information and panelist bios.

 

Find us at:

The Center for Fiction
17 E 47th St,
New York, NY
10017

Who Do You Write For?
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