The Boston Globe features The Common in “Read Local,” a piece that compares the magazine to farmers’ markets.
After a Fall
By GAIL FOLKINS
The white horse at the railing stood alone, saddled and loose with no rider on his back. I searched for a person in charge, someone holding the reins and hidden from view behind the horse, but the gelding in the outdoor riding arena faced the morning clouds by himself.
Review: The London Train
Book by TESSA HADLEY
Reviewed by
A novel’s content is inextricable from the experience of its presentation: the order of events, what the reader knows about characters, whether the reader is looking ahead toward consequence or backward for explanation. In Tessa Hadley’s Orange Prize-longlisted The London Train, by the time that Cora, the estranged wife of a high-ranking British civil servant, experiences the “physical closeness” of her seatmate between Cardiff and Paddington Station, “mingled with her awareness of herself, as if there’d been brandy in the coffee they drank,” Cora’s is not the only awareness which Hadley has altered.
Initially, The London Train may strike readers of domestic realism as known territory. Paul, a literary critic who would have preferred to be known as a novelist, has received news of his mother’s death. He arrives at her nursing home too late to view her body, a fumble that will come to seem characteristic as the funeral and aftermath illuminate him and his family through their response to crisis. The funeral also occasions contact with Paul’s ex-wife, who is concerned about their elder daughter, who has left university and will divulge only that she is safe and has moved in with friends.
After Rain
The wind comes warm as breath
and stirs me like laundry
on a line. Then it’s gone. Life
weaves itself together
from next to nothing;
Greenfield Reading and Event
Join The Common at the Greenfield Arts Collective at Greenfield Energy Park in Greenfield, MA, between 2 and 9 PM on July 30th. Enjoy a live band, watch one-act plays, and listen to readings from a number of authors, including our contributor Yehudit Ben-Zvi Heller!
Review: Bitter in the Mouth
Book by MONIQUE TRUONG
Reviewed by
While parents often tell their children how unique they are, Linda Hammerick, the narrator of Monique Truong’s Bitter in the Mouth, truly is unique in an unexpected way. She has a particular form of synesthesia which expresses itself in the ability to taste words. As she explains, “When my teacher asked, ‘Linda, where did the English first settle in North Carolina?’ the question would come to me as ‘Lindamint, where did the Englishmaraschinocherry firstPepto-Bismol settlemustard in Northcheddarcheese Carolinacannedpeas?’” And yet, this fact of her life plays only a minor role in this novel about family and the discovery of one’s history. Truong, instead, focuses on family and how it defines you, the relationships between people, be they good, bad or some shade in between. It’s a story about the changes that people go through over a lifetime.
Tottenville Review and its Place of Origin
From our friends at Tottenville Review, on its place of origin:
It feels strange to look at an old photo, one taken long before you or your parents were born, and recognize something. It’s a disconcerting feeling that uproots you from your present life. Suddenly you find yourself in a faraway place that feels antiquated and remote—but it’s also eerily familiar. You realize that you once knew it very well.
Searching for the Real in a Surrealist’s Home
The ants have returned to Carrer Hort. We thought we’d eliminated them, crushing them under the flat rubbery green kitchen sponge in a flurry of destruction. They’re small, these Spanish Mediterranean ants, but they’re tougher than they look, and after five days’ absence during unrelenting rain they’ve returned, arriving from some unknown and undiscoverable place to scurry frantically around the kitchen sink.
Desire in New Mumbai
Oh to drape my flesh with the rippling silk of a turquoise sari, gold-flecked above a peek of bare midriff, my eyes kohl-rimmed, hair hennaed, feet sandaled now but also in winter because I carry the subcontinent within me, I shimmer its heat as I stroll down the block to the sounds of Punjabi pop from sidewalk speakers.
Connecting Point (2011)
WGBY’s Connecting Point interviews editor Jennifer Acker about the genesis ofThe Common.