Exotic Pets

By CAL SHOOK

 

The first time Ellis saw the girl, she was sitting on the front stoop of his building. She had a mop in one hand and a broom in the other, like she was using them to guard the place. The packages of Charmin stacked beside her looked like they were at attention too. She can’t be more than five or six, thought Ellis. And instead of climbing the stairs and passing her to let himself inside, he stopped, took off his Yankees cap, and with a smile said, Hiya. Hey kid. Hello there.

The girl did as he expected and gaped at the wine-spill of a birthmark on the left half of his face. She sniffed her runny nose up and blinked through her too-long bangs. Her mouth made a little frown and she said, Hi. My mom forgot the Windex.

Exotic Pets
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The Healing Nature of Truth: An Interview with Brionne Janae

MICHAEL MERCURIO interviews BRIONNE JANAE

Brionne Janae headshot
In conversation, they go by Breezy. When Michael Mercurio and Brionne Janae spoke via Zoom, Breezy was at home in Brooklyn, and Michael was in Northampton, Massachusetts. Though Michael had known Breezy’s work for several years through their publications in Ploughshares, Waxwing, Frontier Poetry Review, The Sun, The Rumpus, and The Academy of American Poets Poem-A-Day, they hadn’t met until they worked together on a program for the Tell It Slant Poetry Festival, cohosted by the Faraday Publishing Company and Black Writers Read. Here, they talk about musicality, authenticity, and the importance of bringing voice to what might be left unsaid. (Please note this interview discusses childhood sexual abuse and trauma.)

The Healing Nature of Truth: An Interview with Brionne Janae
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2022 Festival of Debut Authors

Join The Common’s special events team on April 13th at 7:00pm for our 2022 Festival of Debut Authors, an evening devoted to emerging talents! The celebration will highlight poets and prose writers Priyanki Sacheti, Jeremy Michael Clark, Hiten Samtani, Danielle Ola, Carlie Hoffman, and Amalia Gladhart

Hosted by Ben Shattuck and Sara Elkamel, the festival will feature readings and conversation, and aims to raise scholarship funds for the magazine’s Young Writers Program.

2022 Festival of Debut Authors
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“The Old Man of Kusumpur” Wins O. Henry Prize 2022

Cover of The Best Short Stories 2022: The O. Henry Prize Winners, edited by Valeria Luiselli. The text is in a white box in the upper left corner, and the rest shows a design of orange ovals on a purple backdrop

We are thrilled to announce that “The Old Man of Kusumpur,” written by Amar Mitra and translated from the Bengali by Anish Gupta, has been selected for the O. Henry Prize for 2022. The story was originally published in The Common Online. An anthology of the winning stories, edited by Valeria Luiselli, will be released this September from Anchor. 

This is the first year the O. Henry Prize series has considered fiction in translation. In the prize announcement, series editor Jenny Minton Quigley writes, “If stories give us a window through which to momentarily enter the soul of another person, then translated stories magically transcend the limits of the language that has shaped our consciousness.

View the full list of winners and read more about the prize at LitHub.

Congratulations to Amar, Anish, and all the winners!

“The Old Man of Kusumpur” Wins O. Henry Prize 2022
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Friday Reads: April 2022

Curated by ELLY HONG

Here at The Common, our incisive volunteer readers are the first to review fiction and nonfiction submissions to the magazine. In this month’s round of Friday Reads, they recommend three exciting new works of speculative fiction.

Friday Reads: April 2022
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A Memorandum of My Several Senses: Chloe Honum’s The Lantern Room

Reviewed by REBECCA GAYLE HOWELL

Lantern Room cover

On a Sabbath day in 1855, Emily Dickinson wrote a letter to her dear one, Mrs. Holland. Mrs. Holland was the poet’s chosen sister, a mentor and friend in gardening and recipes, householding and womanhood. They were correspondents for more than 30 years, sharing their litanies of living a life. This particular letter concerned the disorienting process of moving house. The Dickinson family was returning to their homeplace. It was the house where Emily was born and it would be the house where she died. But in that moment, having lived fifteen years elsewhere, she felt pillaged and lost, a kind of expat from her country of knowns.

A Memorandum of My Several Senses: Chloe Honum’s The Lantern Room
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