Occupation

By EMMA GORENBERG

I do not mean to lose the coast. But the fragrant wood of the skiff, shore whining with current, as though I could hear the coil of electric lines humming with speech, the slur of ordering—and in overhearing seek to follow, or move away from, bow knifing the water and splaying it from its back, sound retreating fathoms down from the oar’s dip and dip. I am days at sea. And when I hit the tough edge of land again I care less that it is vacant, and more that the coast lines a country we might signal. Proof of my arrival only in the sedge bent down by the boat. As if the impress of a bedded deer, low in the prairie to escape the hunt.
Transatlantic Cable (1866)

 

Emma Gorenberg has published poetry in Times Literary Supplement, Narrative, and elsewhere.

Click here to purchase Issue 03

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Occupation

Related Posts

Close-up of a field of rye

April 2026 Poetry Feature #1: Carson Wolfe, Benjamin Paloff, and Jehanne Dubrow

JEHANNE DUBROW
For years, I’ve been drafting a book / about trauma, how words may form / a likeness of the mind that’s torn— / the past tears easily as paper, I write. / And don’t the leaves on the ground / resemble ripped poems, as if the weather / keeps trying to find the right phrase, / all those crumpled revisions of the seasons.

Black and white portrait of a man wearing spectacles.

They Could Have

CONSTANTINE CONTOGENIS
Near destitute, I’m this close to homeless. / This killer of a city, Antioch, / it’s eaten all the money I have, / this killer and its cost of living. // But I’m young, in the best health. / I speak a marvelous Greek / (and I know, I mean “know,” my Aristotle, Plato, / the orators, poets, the—well, you name them).

March 2026 Poetry Feature: Welcome Back Peter Filkins

PETER FILKINS
pissarro is dead cézanne too / swept away like willowed flotsam / that brute degas gone as well / chafing tides the sea of years // long ago battles fought discarded / ballast tossed from fame’s balloon / rising like heat and the unheard prices / feeding straw to the fires of need // for more garden cuttings variants