Occupation

By EMMA GORENBERG

I do not mean to lose the coast. But the fragrant wood of the skiff, shore whining with current, as though I could hear the coil of electric lines humming with speech, the slur of ordering—and in overhearing seek to follow, or move away from, bow knifing the water and splaying it from its back, sound retreating fathoms down from the oar’s dip and dip. I am days at sea. And when I hit the tough edge of land again I care less that it is vacant, and more that the coast lines a country we might signal. Proof of my arrival only in the sedge bent down by the boat. As if the impress of a bedded deer, low in the prairie to escape the hunt.
Transatlantic Cable (1866)

 

Emma Gorenberg has published poetry in Times Literary Supplement, Narrative, and elsewhere.

Click here to purchase Issue 03

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Occupation

Related Posts

A photograph of leaves and berries

Ode to Mitski 

WILLIAM FARGASON
while driving today     to pick up groceries / I drive over     the bridge where it would be  / so easy to drive     right off     the water  / a blanket to lay over     my head     its fevers  / I do want to live     most days     but today / I don’t     I could     let go of the wheel  

The Month When I Watch Joker Every Day

ERICA DAWSON
This is a fundamental memory. / The signs pointing to doing something right / and failing. Educated and I lost / my job. Bipolar and I cannot lose / my mind. The first responder says I’m safe. / Joaquin Phoenix is in the hospital. / I’m in my bedroom where I’ve tacked a sheet...

Image of glasses atop a black hat

Kaymoor, West Virginia

G. C. WALDREP
According to rule. The terrible safeguard / of the text when placed against the granite / ledge into which our industry inscribed / itself. We were prying choice from the jaws / of poverty, from the laws of poverty. / But what came out was exile.