Sandstorm

By RASHA ALDUWAISAN

 

There’s an itch in my throat like fox fur,
broom bush, cactus whittled to dust,
and my son thinks the city has vanished,
wind whipping up a smokescreen,
but still, he helps me sweep,
brings in cushions from the garden,

asks me where the buildings have gone,
and I point there, sketch the skyline
with my finger, the desert still on my tongue,

habibi? He asks for water, for milk, anything
to change the taste in his mouth, so I say here,
give him orange juice and syrup,

sit him on the sofa, say watch,
as farm animals dance on screen,
fluorescent tulips singing in a meadow,

but there’s an itch on my scalp
like moon dust, feathers floating over the balcony,
and a hudhud, crowned and ancient, pecking at the air.

 

Rasha Alduwaisan is an oral historian from Kuwait. Her poetry has appeared in Cathexis Northwest Press and Cordite Poetry Review. She earned an MA in Middle Eastern studies from Harvard University and spent a few years working at the Natural History Museum in London.

[Purchase Issue 22 here.]

Sandstorm

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.