Scarpia (Aside)

By RICARDO PAU-LLOSA 

Tosca

I heard those ripened, muted swoons, although
that was no kiss—a dagger sunk into my chest.
What use authority if it cannot impose
a hidden will? The songbird, let her muse
the painter in his cavern, his mettle at the test,
while she flickers here for me, beyond sorrow
and contrition. We are all caught between tides,
like urchins sprung or crabs denied a nook
from ravenous waves. She’ll paint him a tale of flight
on a ship of words. I offer the blight
and bliss of wronged conviction, what the good book
prescribes for elevation. I am the night that hides
nothing, confesses the hunt, enables nature
purchase in the soul. To love is to endure.

 

[Purchase Issue 15 here.]

Ricardo Pau-Llosa’s eighth book of poems will be released later this year by his longtime publisher, Carnegie Mellon University Press. His poems have appeared recently, or will appear soon, in Ambit, The American Journal of Poetry, The American Poetry Review, Birmingham Poetry Review, Blackbird, Boston Review, Burnside Review, Colorado Review, december, The Hudson Review, Island, New England Review, Salamander, Stand, and Virginia Quarterly Review, among other publications. He also writes art criticism.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Scarpia (Aside)

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.