2013 | Page 14 | The Common

Vanishing Chinatown

June 9, 2013 Essays

I know the Chinatown, New York, of long ago from my parents. My grandfather, like a grand impresario, hosted their wedding reception there. They were married on September 19, 1959, and he personally invited everyone to the reception, stopping by at the Gee, Lai, and Gong family association buildings, which was where men gathered to consolidate finances and dictate business decisions, and where women met to socialize. Once invited to the reception, you could bring any number of family, but it was a matter of honor not to overstep the generosity of the invitation. I should add that the reception lasted for three consecutive nights.

Phantom Tec

June 7, 2013 Essays

By SAHIBA GILL

When I read the list of companies who owned the now-ruined clothing factory in Dhaka, Bangladesh—New Wave Bottoms, New Wave Style, Ether Tex, Phantom Tec—I thought about my walks in Abu Dhabi, which have been driven from the start by following the bright spool of electric shop names wrapping around each block. It’s not so much the city lights that pull me out there as their measurement of my distance from home, conveyed not in watts but in the degree of mistranslation.

In the Field behind the Condo Where the Fat Boy Plays

June 5, 2013 Dispatches

By JOHN MCNALLY

In the summer of 1975, in the southwest Chicago suburb of Burbank, my parents finally became homeowners when they bought a condominium unit in a brand-new development comprised of eight buildings. The cost: $25,000. First, however, we had to break our apartment lease and move out in the middle of the night. I was nine years old, carrying my toys down the stairs to my father’s pick-up at three in the morning while everyone else, our friends and enemies, slept soundly. In every apartment building we’d ever lived, we always had friends and we always had enemies, and we never lived in any one place for longer than two years. Things were finally going to be different.

Shawn Vestal’s Memory Castles Made of Lego

June 4, 2013 Interviews

MELODY NIXON interviews SHAWN VESTAL

In this month’s author Q&A, Melody Nixon speaks with Shawn Vestal about childhood, the afterworld, and the “irrevocable lives” we lead in between. Vestal’s short story collection Godforsaken Idaho was published by Little A / New Harvest in April.

Melody Nixon (MN): Your collection is named Godforsaken Idaho, and several stories are set in or touch on Northwestern farms. You yourself live in the American West. Has that place shaped your writing?

Shawn Vestal (SV): I think my views are formed in large part by the places I’ve lived and experiences I’ve had, and I’ve lived in the West all my life — Idaho, Montana, Oregon, and now Washington. There is a space and distance to the landscape out here, an ability to escape others or an inability to find others to connect with. The mythos of the West — the self-sufficient, self-defined individual, who doesn’t need others — is a strong part of [my] characters’ own mythologies. Or perhaps just something that feeds their personalities just as it feeds mine.

Review: The Great Gatsby (Film)

June 3, 2013 Reviews

Movie directed by BAZ LUHRMANN
Reviewed by LISA ALEXANDER

F. Scott Fitzgerald’s 1925 The Great Gatsby is a simple story at heart: poor boy meets rich girl and, by dint of superhuman perseverance, transcends his origins only to find out it doesn’t matter because her kind will never accept him anyway. This slender novel has become shorthand for the Zeitgeist of the Twenties. Its language is flowery, even hothouse, Fitzgerald’s voice lush. Yet, using a detached character as narrator, Fitzgerald knits atmosphere, recurring objects, patterns, and themes into an iconic drama about the ringing failure of the American dream and a contender for The Great American Novel. Australian director Baz Luhrmann’s new adaptation of Gatsby is the third major film version and, though this Gatsby is a fun ride, its emphasis on spectacle muddies Fitzgerald’s masterpiece.

Speculative Summer School

May 31, 2013 Essays, Studio

By KATHERINE JAMIESON

At the threshold of summer, the sunglasses are on. Running in blue-sky mode, I’ve been talking up some ideas for multiplying the writing workshop times the architecture studio. Their product would be a format for storytelling across media, an alignment of complimentary strengths really well suited to engage the built environment.

Electric Literature (2013)

May 31, 2013 News and Events

Electric Literature covers The Common in the City 2013.

On Limits and Liberation: Oulipo, the New Wave, and My Summer in Paris

May 28, 2013 Essays

By SONYA CHUNG

In the fall of 1960, an exclusive group of writers and thinkers gathered in Paris to officially launch a new way of approaching both the study and creation of literature. This gathering—which would become “a kind of literary supper club . . . a hallowed echo chamber for investigations of poetic form and narrative constraint and the mathematics of wordplay,” as Daniel Levin Becker describes it in his book Many Subtle Channels—called itself Ouvroir de littérature potentielle (Workshop of Potential Literature), or Oulipo. According to co-founder Raymond Queneau, the workshop would explore “new forms and structures that may be used by writers in any way they see fit.” Becker, who is currently one of 20 living members of the still-active workshop (there are 38 total members, living and dead), was elected to the Oulipo in 2008 and describes the workshop a bit more specifically:

The Common Statement

May 27, 2013 Issue 05

I’ve been watching the Qasr al Hosn. Watching it since I arrived in August. The boarded-up block below my office window withholds this oldest structure in Abu Dhabi—the whitewashed fort—and the arch-studded building of the Cultural Foundation. The block has so much potential, but for months, nothing’s happened. Or, I’ll see a kick up of dust and realize it was the wind.

Changing Places: Ich Bin Ein Berliner

May 27, 2013 Essays, In House

By MELODY NIXON

We painted lipstick on our lips and watched businessmen in suits flip open Die Welt, grazing the top of the newspaper with their line of sight, conspicuously shy in their observations of two foreign frauen. The train shot into Berlin’s Hauptbanhof with succinct precision, confirming one of our German stereotypes: 7.00pm exactly on Dec 31^st, 2003, and not a minute late. My friend and I hoisted backpacks and flowed out of the central station and into a city that was eagerly, furiously rebuilding, was humming with energy, and was dusty and heterogeneous and still could not quite figure out how to contain itself. 2004 seemed like an inauspicious year to welcome.

All posts tagged: 2013

Vanishing Chinatown

Phantom Tec

In the Field behind the Condo Where the Fat Boy Plays

Shawn Vestal’s Memory Castles Made of Lego

Review: The Great Gatsby (Film)

Speculative Summer School

Electric Literature (2013)

On Limits and Liberation: Oulipo, the New Wave, and My Summer in Paris

The Common Statement

Changing Places: Ich Bin Ein Berliner

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