We decided we’d stop for the night in Denver while eating at a Taco Johns in North Platte, Nebraska, and scanned the Expedia app on my phone. There was a 4-star hotel in the suburbs northwest of the city on sale for 86 bucks, so I reserved a room because it was the same price as the Best Western.
The last time I visited Manila, in April 2013, I tripped over a body in the street. It was 1 a.m. It was a boy sleeping on a piece of cardboard. He rubbed his eyes, picked up the cardboard, and walked into the night. Reading Smaller and Smaller Circles by F.H. Batacan took me into the hot, dark nights of Manila during the rainy season. It’s 1997, a decade after the People Power Revolution that toppled the Marcos regime. And still, boys turn up dead every month in the communities around the massive Payatas garbage dump near Quezon City. The bodies all show signs of ritualistic killings, in which the faces of the boys have been obliterated by the killer. But Filipino culture denies the existence of serial killers. Filipinos are too warm and friendly for such monsters to emerge in their midst. And with the generations living together, no one is ever alone.
MARNI BERGER interviews JACQUELYN POPE
Jacquelyn Pope is the author of the poetry collection Watermark (Marsh Hawk Press, 2005). Her next book, Hungerpots—translations of the Dutch poet Hester Knibbe—is due out in October from Eyewear Publishing in the UK. Jacquelyn is the recipient of a 2015 National Endowment of the Arts Translation Fellowship and a PEN/Heim Translation Fund grant. She has received awards from the Academy of American Poets and the Massachusetts Cultural Council.
The gruesome Algerian War ended in 1962 with France walking away empty-handed from a territory that it had held for 130 years and considered not just a colony but an integral part of itself. The refusal of the pieds-noirs, the French colonists in Algeria, to concede meaningful rights to Arab citizens had made a peaceful independence impossible. The war, which featured ideological and tactical use of terrorism and torture on both sides, now a hallmark of intractable conflicts between the West and the Islamic world, brought down multiple French governments and the Fourth Republic before Charles de Gaulle accepted the inevitable. It also brought a flood of immigrants, harkis, Algerians who had fought on the French side; and many more who hadn’t, as France entered les trente glorieuses, its 30-year period of post-war prosperity. During this same period, Algeria’s economy, weighed down by state dominance, corruption, and dependence on hydrocarbons, failed to produce opportunity for its youthful, fast-growing population. Some five million people of Algerian descent live in France today, many in the crime-ridden housing projects of French suburbs, where integration is almost impossible.
With JAQUIRA DÍAZ
Your name: Jaquira Díaz
Current city or town: Miami Beach, FL
How long have you lived here? I grew up in South Beach, and I’ve been back here (in North Beach) for about a year. But most of my immediate family lives in Miami, and I’ve been leaving and coming back since I was 19.
Book by HARPER LEE
Reviewed by
Isn’t it wonderful that so many people are upset about Go Set A Watchman? I am not being sarcastic. Think about it: one of the most talked about events in the summer of 2015 is the publication of a book. Harper Lee’s old friend, Truman Capote (the model for Dill in To Kill A Mockingbird), would probably have had something snarky to say about it. The author herself remains silent, as she largely has since her first book—the only one until now—was published in 1960.
Go Set A Watchman is not a great book. We see Harper Lee, who was in her early 30s when she wrote it, before she fully found her voice and getting in her own way more times than not as she struggled to write her first novel. I agree with her original editor at Lippincott (now HarperCollins) who judged that this one wasn’t ready, but saw enough potential in Lee’s writing to think that it could form the scaffolding for a stronger book. But in some ways Go Set a Watchman is the more ambitious novel. Lee reached far in this first attempt to come to terms with her childhood in racist, segregated Alabama of the 1950s.
Once upon a time I fell in love with Jack Kerouac, the words of Jack, the ghost of Jack, the idea of Jack. It started with On the Road, and then it wasn’t long before I set out to read everything he’d ever written, nearly fifty years after he’d written it. I was married, middle-aged with kids, living in the suburbs. My 20s had been spent working, getting married, going to grad school, and having my first child. My 30s were spent raising two children and piecing together part-time work as a writer, urban planner, and volunteer. Then, one month before my 40th birthday, further infatuated with Jack’s Visions of Cody and The Dharma Bums, I latched onto the idea that I myself had never driven across the country before, had never experienced the typically American rite of passage known as “the road trip.” This was something Ineeded to do. Now. Alone. At least that’s the story I told myself and my family and friends as I planned and made my escape.
Author’s Note
These “color swatch poems” are taken from a larger work in progress called Mutterfarbe, a book of experimental translations and poems using Goethe’s Theory of Colors as a primary source.
Each of the colors and their names were pulled from the landscapes and built environments I inhabited during my travels throughout France in early 2015. The nine images at the top correspond with each color swatch poem, and represent those landscapes/built environs. The “Anhang” (appendix) at the end features lines I translated from Goethe’s text on color theory—each numbered line corresponding with one of the color swatches to create a new poetic text.
Lobster in the Rough is over. On a given summer day we can no longer pull off the highway on the Maine side of the border into the parking lot alongside dusty motorcycles, cars, and trucks, and take a seat at the bar or a table beside the bocce courts, inhale lobster rolls in the sun and have a drink among locals and interlopers. This was a place of tribute bands, ladies nights, and horseshoe pits. A place we visited any chance we had heading north or south, a place we returned to, the origin of memories and oft-repeated phrases overheard in the midst of one fantastic day or another. Its closing confirms or reaffirms that these sorts of things—the places we’ve come to depend on to be there as some small but increasingly significant facet of our lives—are going away.This link—to the past we have lived and a past that is hinted at by the place itself—is gone. It’s not a loss of food (certainly there are other shacks within a mile radius that could sufficiently do the job), but a loss of sustenance nonetheless—a shift in atmosphere. Sometime this past winter it transitioned from closed for the season to closed permanently. It’s for sale.
By KURT CASWELL, SARAH WHELAN, SAHIBA GILL, PAOLA PERONI, OLIVIA WOLFGANG-SMITH
Are you up for a challenge? This month we’re reading books that test us as they enlighten us, seeking to explain the world on a grand scale—warts and all. We’re held rapt by catalogs of world travel, remembered across decades; the brutal pageantry of crisis erupting through daily rituals; the history of poverty and injustice; the intricacies of mental illness, personal and societal. Don’t turn to these titles for escape—we’re here to focus the lens of the human experience and find something as irascible as it is beautiful.
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