All posts tagged: 2018

Non-Native

By CATE LYCURGUS

Sand dunes at Tolowa Dunes State Park
Tolowa Dunes State Park, California

Sandy showed us how. She placed the shovel’s tip a few inches from a tuft’s base. Angled the handle back a bit, just enough to loosen the grass before she lowered, hand-pulling. This way, she explained, down to the source. Awards went to the biggest pile, longest root (you cannot burn grass off the dunes; the network just shoots back again), cleanest area too. Tawny tips waved in small breeze from the lagoon, off the lip of sea. But the grass is pretty, C said, and somebody murmured, agreeing. He traced the rake in arcs, looking down, but couldn’t swirl it far. European beachgrass (Ammophila arenaria) grows in clumps from rhizomes that spread four meters each year, so it’s no surprise beachgrass defines large stretches of Pacific coast. Pretty till you get a spine in your glove, E admitted, wincing. Until you get down close.

Non-Native
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Paris, April 7, 2018 Saturday

By GREGORY CURTIS

The towers of Church Saint-Sulpice.

Paris, France

I found a book by Georges Perec called Tentatived’épuisement d’un lieu Parisien, or An Attempt to Exhaust a Place in Paris. I like Perec very much. He loved word games and wrote crossword puzzles, and very often invented challenges for himself in his writing. In 1969 he wrote a book—La Disparition—in which the letter “e” does not appear. It was translated into English, also with no “e’s” but since the literal translation—The Disappearance—has three “e’s”, the English title is A Void. In 1972 Perec wrote Les Revenents, in which “e” is the only vowel in the book. Perec died of cancer in 1982 when he was only forty-six.

Paris, April 7, 2018 Saturday
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Join Us for Weekly Writes, Volume I

weekly writes

 

Weekly Writes is a ten-week program designed to help you create original place-based fiction and nonfiction.

Volume I launched on July 1, 2018. Volume II coming soon!

Sign up for Volume 1 is now closed. The $15 fee includes one free, expedited submission after program completion.
Join Us for Weekly Writes, Volume I
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The Cloak Room

By MARIA TERRONE

St. Joan of Arc classroom and cloakroom revisited, 2018

St. Joan of Arc classroom and cloakroom revisited, 2018

 

Queens, New York

 The very sound of it was foreign to our ears. Who wore cloaks? Vampires. Stealthy spies with hidden daggers. And men in top hats who appeared in movies and old-fashioned story books. Certainly no one we knew as first-graders at St. Joan of Arc—except, perhaps, for the nuns whose sleeveless black capes swirled in their hurried winter walks through the schoolyard to the convent. But their habits covered every inch of skin up to their necks; even their brows were partially obscured by fabric stiff as cardboard and white as their bony hands—the only other flesh exposed. So, on second thought, we couldn’t really say we “knew” the nuns when their very bodies were concealed and their lives outside the classroom a mystery.

The Cloak Room
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The Common @ the National Book Foundation’s Why Reading Matters Conference

National Book Foundation logo
Are you an educator? Do you work with students? Join us as The Common editors present at The National Book Foundation’s third annual Why Reading Matters conference on June 7 at St. Francis College in Brooklyn. 

A man presents at a literary conferenceEditor in Chief Jennifer Acker and Associate Editor and Director of The Common in the Classroom Elizabeth Witte will be joined by Katherine Hill, a TC contributor and Assistant Professor of English at Adelphi University, for a panel discussion: Reaching from There to Here: broadening student perspectives through place-focused literature.

Check out more details on the conference here. TC readers receive a 15% discount on registration with the code: NBFFRIEND

The Common @ the National Book Foundation’s Why Reading Matters Conference
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The Globe

By SEAN GILL

Berlin’s Deutsches Historisches Museum

Berlin, Germany

Inside Berlin’s Deutsches Historisches Museum, there is a quiet passageway which serves as a spatial juncture between the Nazi era and the Soviet one. There is only one exhibit in this place: an enormous metal globe, encircled by wooden framing and encased in glass. Its lands are tinted municipal yellow-brown, its seas faded cyan. This particular globe may once have belonged to Ribbentrop, Goebbels, or perhaps Hitler himself. This is not a shock; Hitler’s actual desk rests in the preceding room, about forty meters behind you. You have therefore already experienced such a flood of icy association; an anxious dread similar to when you behold a steep precipice, or pass by a policeman toting an automatic weapon.

The Globe
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On Noticing: an interview with Kirstin Allio

Kirstin Allio headshot

ISABEL MEYERS interviews KIRSTIN ALLIO

Kirstin Allio is the author of the short story collection Clothed, Female Figure and the novel Garner, a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction. Her latest novel, Buddhism for Western Children, will be the inaugural novel from The Iowa Review Series, a new imprint from University of Iowa Press, coming out in the fall of 2018. In this month’s interview, Kirstin Allio and The Common’s editorial assistant Isabel Meyers discuss motherhood, childhood memories, and society’s fascination with religious cults.

On Noticing: an interview with Kirstin Allio
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Bella Figura

By JULIA LICHTBLAUA green garden viewed through a fence

The best garden in Brooklyn is like Fred Astaire
Charming but inaccessible.
A private creation for public viewing.
I look down into it from my living room,
Its spilling vines and spruce hedge-tops lend cachet to my garden.
Yet a high fence keeps us
Properly separate.
As does the rusty chain link gate on the street side,
which is only opened for
Tree-trimming and the like.

Bella Figura
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