All posts tagged: 2018

The Thing That Would Unmake You: an Interview with Carmen Maria Machado

HILARY LEICHTER interviews CARMEN MARIA MACHADO 

Carmen Machado Headshot

Carmen Maria Machado’s debut short story collection, Her Body and Other Parties, was a finalist for the 2017 National Book Award, the Kirkus Prize, and the PEN/Robert W. Bingham Prize for Debut Fiction, and the winner of the Bard Fiction Prize and the National Book Critics Circle’s John Leonard Prize. She holds an MFA from the Iowa Writers’ Workshop and has been awarded numerous fellowships and residencies from organizations that include the Michener-Copernicus Foundation, the Yaddo Corporation, Hedgebrook, and the Millay Colony for the Arts. Her memoir, House in Indiana, is forthcoming in 2019 from Graywolf Press. Carmen Maria Machado will be at Amherst College on March 1st at 7:30 for a National Book Awards on Campus Conversation, which is a part of LitFest 2018.

This summer Hilary Leichter met with Machado at her home in Philadelphia, where Machado is the Writer in Residence at the University of Pennsylvania.

The Thing That Would Unmake You: an Interview with Carmen Maria Machado
Read more...

Plot vs. Story

By SUSAN SCARF MERRELL

Susan Scarf Merrell stands in front of a table covered with pieces of paper with writing on it

I think in words, not images, which I imagine is a form of dementia rarely studied by brain scientists—it’s a disadvantage when looking at a map or a set of architectural plans, and I have long believed it also to be a disadvantage when building the big complex geography of even the most pared-down fictional world.

Plot vs. Story
Read more...

The Common’s Nominations for the Pushcart Prize

We at The Common are proud to announce our nominations for the 2018 Pushcart Prize: Best of the Small Presses series, an accolade bestowed upon small-press writers for works of outstanding writing and literary talent. Each of our nominations represents this culmination of talent and ingenuity alongside the celebration of a daring and modern sense of place.

The Common’s Nominations for the Pushcart Prize
Read more...

January 2018 Poetry Feature

NEW POETS FOR THE NEW YEAR
This month we welcome poets new to our pages: JESSICA LANAY and MARLIN M. JENKINS

 

JESSICA LANAY

Harriet Hemings Meets Red Peter at The Russian Tea Room

“[…] as uniformly as is the preference of the Oranootan for the black women over those of his own species.” — Thomas Jefferson, Notes on the State of Virginia

“It is now nearly five years since I was an ape, a short space of time, perhaps, according to the calendar…” — Red Peter, from “A Report to an Academy” by Franz Kafka

Red Peter, it is so nice to meet you—I mean, you have to know how awful online dating can be. My father set us up—I think, based on your preferences in women, he thought we would have a lot in common. I must admit, I was excited to come to this restaurant. It is an excellent choice; the banana pudding is fabulous—the best in the city. I too love frequenting Paris, although I missed your performances with Hagenbeck. He also brought the world Otta Benga, did he not? I believe Mr. Benga resided in the same state where my father wrote his Notes. You are such a kind gentleman, compared to others. Here, let me adjust your bowtie; you’ve learned to be more human than most. Now, tell me, in your report to an academy, did you address your desires? Your dating preferences? Is the preference of the oranootan, in fact, for the black woman over his own species? Red Peter, my father would be very happy to hear about this date, if your preference is as such—I mean, for a woman like myself.

January 2018 Poetry Feature
Read more...

Ask a Local: Ejiofor Ugwu, Nigeria

With EJIOFOR UGWU

Your name: Ejiọfọr Ugwu

City or Town: Nsukka, Nigeria

How long have you lived here: Eight years

Three words to describe the climate: early fall, harsh.

Best time to visit? Spring

  1. The most striking physical features of the city/ town are:

A first time visitor to Nsukka will notice an environment full of hills, with houses at the valleys and at the breasts of the hills. Then he moves closer to notice a usually crowded park where the people’s central market, Ogige, is located. Not long ago, the roads were really in bad shape but things have changed now. The new state governor gave the town a serious facelift in terms of road reconstruction and it has increased access to and from the town.

Ask a Local: Ejiofor Ugwu, Nigeria
Read more...

Charlottesville: A Nightmare Tableau

By ANDREW JOHNSON

Unitarian Congregation Protests White Nationalist Rally

You arrive at the scene to play your part. Actors fill the stage, bodies motionless.

Stage right: Metal barricades and a long row of riot shields outlined by helmets, batons, cans of pepper spray, guns. Bodies of men behind it all. One body stands atop a tank, bullhorn raised to his face.

Stage left: Costumes include robes, vestments, yarmulkes, collars, habits. Props include holy books, prayer beads. Arms are interlocked.

Charlottesville: A Nightmare Tableau
Read more...

Acid Raindrops

By JARED ALAN SMITH

Santiago, Chile

Soaked students trudge with their arms wrapped around one another, some toward their apartments to scrub the liquefied tear gas from their clothes, some to the nearby bars to wash away the stains they’ve gained on their souls. I am holding my weapon tight in both of my hands.

The wet warning shots have had the desired effect, dispersing a crowd that gathered in front of the Teatro Universidad de Chile to protest for the third time in as many days. A graying caribinero whistles low, and one of the stray puppers that roam the sidewalks of the Alameda runs up to nibble at some chorizo the green-clad cop produces from the pocket of his vest. I check my firing mechanism and center the old man in my crosshair. I can’t get a good shot; civilians in the way.

Acid Raindrops
Read more...

The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters

ERIN EHSANI interviews MARGOT KAHN and KELLY MCMASTERS

Margot Kahn

Kelly McMasters

Margot Kahn and Kelly McMasters have each been described as landscape writers. Kahn mapped the American West in the biography Horses that Buck and McMasters’ memoir, Welcome to Shirley, grappled with a hometown that was as dangerous as it was idyllic. In subsequent work, both writers found themselves writing and thinking about the places harder to locate on a map and much harder still to define: home. Kahn and McMasters are the editors of the recently published This Is the Place: women writing about home, featuring essays by thirty women writers who explore the complex and messy business of making, being, and leaving—or sometimes escaping—home.

The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters
Read more...

Review: Empire of Glass

Book by KAITLIN SOLIMINE

Reviewed by JENNIFER CODY EPSTEIN

 

Empire of Glass

 

Early on in Empire of Glass, the novel’s American narrator offers fair warning that what follows will not be straightforward: “So much of what I’m telling you is already reimagined, reconfigured so convex angles are made concave, mirrors reflecting other mirrors reflecting an uncertain, setting sun.” That includes her name, Lao K (or “Familiar K”), a nickname her Chinese homestay family gave to replace “a long, complicated name we could never pronounce.”

Review: Empire of Glass
Read more...

The Village Idiot

By MAJIDAH AL-OUTOUM

Translated by ALICE GUTHRIE

 

We awoke one morning to news of a death. The person we had lost was the one we used to call the Village Idiot—that buffoon who used to make us laugh and cry at the same time, that leaping, dancing ball of energy who would hurl himself around, wild with enthusiasm, stomping on our toes and crashing into us as he went gesticulating by.

The Village Idiot
Read more...