All posts tagged: 2021

Writers on Writing: Frances Richey

This interview is the sixth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.

Read Richey’s March 2020 Poetry Feature

 

Frances Richey headshotFrances Richey is the author of two poetry collections: The Warrior (Viking Penguin 2008), The Burning Point (White Pine Press 2004), and the chapbook, Voices of the Guard (Clackamas Community College 2010). She teaches an on-going poetry writing class at Himan Brown Senior Program at the 92nd Street Y in NYC, and she is the poetry editor for upstreet Literary Magazine. She was poetry editor for Bellevue Literary Review from 2004-2008. Her work has appeared in or is forthcoming from: The New York Times, The New York Times Magazine, O, The Oprah Magazine, Plume, Gulf Coast, Salmagundi, Salamander, Blackbird, River Styx, and Woman’s Day, and her poems have been featured on NPR, PBS NewsHour and Verse Daily. Most recently she was a finalist for The National Poetry Series for her manuscript, “On The Way Here.” She lives in New York City.

 

 

Writers on Writing: Frances Richey
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Mother’s Tongue

By JENNIFER SHYUE

 

I remember I was talking to a colleague in the break area of a 2017 translation conference when a tall, snowy-haired man came up to us. (I say “remember,” but my memory is hazy. We are told to forget these sorts of incidents.) The interaction went something like this: The man walked toward us and, without preamble, planted himself before me to ask if I knew a noted translator from Japanese. The translator is Asian-American, like me. (Or—maybe there was a preamble; maybe he asked us our names first.) I felt my smile gelatinize on my face. No, I said. I had never met that translator.

Mother’s Tongue
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Podcast: Bina Shah on “Weeds and Flowers”

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Bina Shah speaks to managing editor Emily Everett about her short story “Weeds and Flowers,” which appears in Issue 19 of The Common magazine. In this conversation, Shah talks about how the people she observes and encounters in her life in Karachi, Pakistan, inspire her work in fiction. She also discusses her 2018 feminist dystopian novel Before She Sleeps, and the sequel she’s working on now, in addition to her work as a journalist.

Bina Shah and Issue 19 cover

Podcast: Bina Shah on “Weeds and Flowers”
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2021 Festival of Debut Authors

On March 25th at 7:00pm, in honor of ten years of publishing and cultivating new voices, please join The Common‘s special events team for an evening devoted to emerging talents! Celebrate with poets and prose writers Ama Codjoe, Sara Elkamel, LaToya Faulk, Ben Shattuck, Cleo Qian, and Ghassan Zeineddine. This event will take place virtually via Zoom.

This inaugural festival features readings and conversation, and aims to to raise scholarship funds for the magazine’s Young Writers Program. All contributions will be matched by the Whiting Foundation.

Register for the event, hosted by Tess Taylor, Katherine Vaz, and JinJin Xu, here

REGISTER

2021 Festival of Debut Authors
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February 2021 Poetry Feature

Poems by REBECCA MORGAN FRANK, JEFFREY HARRISON, CALEB NOLEN, and ALEXANDRA WATSON.

Contents:

  • Rebecca Morgan Frank  |  I hold with those who favor fire
  • Jeffrey Harrison  |  Hazards, 2020
  • Caleb Nolen  | The Deal
                           | Jonah Years
  • Alexandra Watson | when the party’s over or, portrait of an addict zero days sober or, my mom sent me this book healing the addicted brain 

  

  

February 2021 Poetry Feature
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Delusions of Grandeur

By A. NATASHA JOUKOVSKY

There is something post-decadent about Versailles in winter. The fountains are off; there are not many tourists. Everything is still fiercely geometric and over-the-top, but in this gray, expired kind of way, at least for most of the day; sunset, and the crisp, clear chill of nighttime being the exceptions. Most of the sculptures are covered with tarps, and tertiary destinations like the amphitheater and “outdoor living room” are gated off entirely. As at all times of year, there is remarkably little furniture, the bulk of it having been moved to the Louvre in the name of égalité. I spent the first five years of my career working in grand museums, and this has always been one of my favorite things about them: that they are bastions of opulence that seem morally defensible, inclusive and elite at once. Because Versailles too is now a museum, the awesomeness of its grandeur has been contextualized into an argument against itself, its ostentation forgiven as a public good. At moments it feels almost Soviet, and you can’t help but be reminded that if you trace the political spectrum far enough left or right you end up in effectively the same place. 

Delusions of Grandeur
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LitFest 2021 Excerpt: Interior Chinatown

By CHARLES YU

Image of Charles Yu's book, Interior Chinatown.

Amherst College’s sixth annual literary festival will take place virtually this year, from Thursday, February 25 to Sunday, February 28. Among the guests are 2020 National Book Award fiction winner Charles Yu and longlist nominee Megha Majumdar. The Common is pleased to reprint a short excerpt from Yu’s novel Interior Chinatown here.

Join Megha Majumdar and Charles Yu in conversation with host Thirii Myo Kyaw Myint (visiting writer at Amherst College) on Friday, February 26 from 7 to 8pm. 

Register and see the full list of LitFest events here.


LitFest 2021 Excerpt: Interior Chinatown
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LitFest 2021: Poems by Tommye Blount and Natalie Diaz

LitFest Poems 2021

Amherst College’s sixth annual literary festival will take place virtually this year, from Thursday, February 25 to Sunday, February 28. Among the guests are 2020 National Book Award poetry finalists Tommye Blount and Natalie Diaz. The Commonis pleased to reprint four of their poems here.

Join Tommye Blount and Natalie Diaz in conversation with host John Hennessy (poetry editor of The Common) on Saturday, February 27 from 11am to noon.

Register and see the full list of LitFest events here.

LitFest 2021: Poems by Tommye Blount and Natalie Diaz
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Neighbors

By NICK STORY

Image of a figure down the hallway.

 
The Rectangle

When my marriage ended I moved to an apartment building that was mostly uninhabited. I never saw the other tenants. There were traces of them here and there—a sock left in a dryer, muted weeping down the hall, ambulances flashing out front—but I couldn’t have told you what any of my neighbors looked like.

There was a serious cockroach infestation in my unit. In the kitchen, the roaches chewed through boxes of crackers, fresh fruit, bags of rice. They crawled over the counters, peeked up through the sink drain, and burned in the oven. In the middle of the night, I’d spot them on the ceiling, circling the kitchen light like planets in a model solar system.

Neighbors
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