All posts tagged: Dispatches

Dream Tracks

By PATRICIA O’HARA

The New York-New Haven train (three or four cars, caboose, and an engine) leaves my hometown for Grand Central Station by day, by night, by day again, clack, clack, clacking through my backyard. Behind the storage tanks of B.J. Dolan’s Home Fuel Oil Company, the train pushes across the swamp meadows. Not so fast that I can’t see the passengers, though Margaret and Muriel and I hide in the tall grass because our mothers have forbidden, very forbidden, playing on the tracks. But fast enough so that the sticky milkweed and Queen Anne’s Lace bend backward, shocked, in the train’s wind wake. And then it’s safe to come out and look for the pennies we’ve laid on the tracks, thinned now, their presidential faces and patriotic mottos erased. These are the dog days of August, and we are the Lost Girls in ponytails, and though we have made a pact—together forever—I keep one eye always on the caboose as I listen for the fire siren that calls us to our five-o’clock suppers in our mothers’ kitchens.

Dream Tracks
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Bring ‘Em Home

By CRALAN KELDER

on idyllic Bali in 21stcentury with Frank who keeps talking about Charlie, as we relax in sun-glasses and tee-shirts during our drive across the island, our road traversing numerous picturesque terraced rice paddies, with Frank who periodically rolls down a window of the mini-van to shout “bring ‘em home!” at the oblivious farmers peacefully tending their crops, many of whom are indeed wearing woven grass sun-hats for the heat

Bring ‘Em Home
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Five Waterfalls

By JAMES A. GILL

The trail never begins level. It’s part of the architecture of a waterfall. A creek or a stream or a river is flowing along its course, and then there is an abrupt change—a fall—that brings the water a little closer to sea level. A little closer to home.

Five Waterfalls
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The Writing Room

By SUSAN STINSON

Watson Room

Photo by Jeep Wheat

I write twice a week in the Watson Room at Forbes, the public library in Northampton, Massachusetts. It’s a simple space, dedicated, according to a brass plaque, to the memory of Julia and Rosa Watson, who made generous bequests. There are built-in cabinets with locked glass doors, full of old books, all bound in the same black with gold letters on their spines. Statistics of Coal. Geology for Beginners. Select British Poets, Hazlitt. Don Juan, Byron. Life of Napoleon Bonaparte, Scott, volumes 1, 2 and 3. There are six long, wide windows with green blinds, which look out over the library parking lot. The cars and the people seem vivid but far away.

The Writing Room
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Nothing Sublime

By MORTEN HØI JENSEN

My grandfather lives in a small house in a small town in Denmark—which, as it happens, is a small country. The town is Græse Bakkeby, which boasts a population of 2,300 people, though it is part of the larger Frederikssund townscape. It’s the kind of place no one who visits the country ever really experiences, in part because there’s no reason to, and yet it’s often the first thing that comes to mind when I think of Denmark. The smell and tang and feel of his house is the same as it was in the house he and my grandmother used to live in, in Værløse, before she died in 1999. It’s a mixture of the coffee maker, my grandfather’s cologne, his many annotated books, and the general cleanliness of the place (he is a neat man and takes pride in it). To the sound of the news on the radio or a Mozart concerto I see him scurrying about his little home, well-dressed, a comb in his back pocket, forever clearing his throat. He sips his coffee while squeezing his eyes shut, as if to intensify its flavor. He pulls a volume from the shelf (Ulysses? The Brothers Karamazov? The Magic Mountain?) and revisits his younger self. He thinks of me and my siblings. He thinks of his sons, my father and uncle. He thinks of his wife.

Nothing Sublime
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The Great Northwest

By ANN ANG

There isn’t much to do here. Wandering into a live military training area, I look for the pungent and prickly durians that fall only in the dead of night.

Lim Chu Kang isn’t a big place, situated as it is in the northwest of Singapore, a diamond shaped island state only 25 kilometres by 48 kilometres. But it gives the impression of space, dotted with orchid farms and odd patches of jungle with flaming red tulip trees from Africa. Botanists refuse to call this secondary forest.

The Great Northwest
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The Center of the Rebellion

By LYNNE WEISS

Seneca Falls has a much bigger place in history than it does in geography. It is usually mentioned only as the location of the 1848 Women’s Rights Convention, famously organized by women’s rights crusader, Elizabeth Cady Stanton. So rarely is it mentioned in any other context that one might think it did not exist before or after that event. It’s a small town, much like many other old mill towns in New England and upstate New York, and seems an unlikely setting for, as Stanton called her farmhouse home, “The Center of the Rebellion.” (Stanton was proud of having kept her birth name–Cady–after she married, but for purposes of brevity I call her Stanton here.)

The Center of the Rebellion
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At the Y

By ANNITA SAWYER

May 1966
The lav itself was tiny; its air felt warm and full. The walls of pale green tiles seemed to bend under a heavy film of water exhaled from my hot bath. Wet hair stuck to my face, which dripped with sweat. My cheeks burned. My eyelashes spilled water droplets so large I couldn’t see. I was sunk up to my neck in hot, sudsy bath water, soaking in my elixir of independence. I was taking my first bath on the first evening of my first day in my new home – the Y. My first day on my own. Ever.

At the Y
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Antiquing in the Desert

By AARON GILBREATH

As a longtime collector of vintage American soda bottles, I’d become a bit numb to their charms. The bold funky fonts, the cheeky allure of cartoon mascots and Space Age starbursts etched into the glass – sadly, the very elements that drew me into this odd subset of antiquing had lost their luster. Then I found a cache of old bottles in the California desert.

Antiquing in the Desert
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