By KATE MCLEAN
Introduction by AMY SANDE-FRIENDMAN
Scents conjure up times, people, and places distant from the here and now. At the heart of Kate McLean’s Sensory Maps is the power of aromas, their ability to trigger and concretize emotion and memory. McLean, born and raised in Britain, was inspired by the idea that we form our experience of place through sensory perception. She has researched, recreated, and charted the dominant scents of several cities to paint urban portraits through smell. This ongoing cartographic project is partially intended as a corrective in a world that strongly favors visual and aural information. Through capturing and diagramming the defining smells of a place, McLean tells a city’s history and describes its character. Like postcards and souvenirs, the heightened awareness of scent can enhance a visitor’s memories; for the residents of a community, local scents are signifiers of history and identity.
Tatiana Garmendia was inspired to create this series of work, which includes both embroideries stitched into military netting and drawings on paper, by a conversation she had with a veteran who had recently returned from serving in Iraq. Marrying poses from Michelangelo’s The Last Judgment, the altar fresco in the Sistine Chapel at the Vatican, with portraits of soldiers in contemporary military uniforms, she created scenes that refer both to the landscape of present day war and an artistic interpretation of heaven.
