All posts tagged: Arabic

Rhythmic Exercise

By MOHAMED MAKHZANGI
Translated by YASMEEN HANOOSH

A few days after the sunset-to-sunrise curfew went into effect, the members of this jolly family began to feel run-down. Their apartment had all the needed emergency supplies—food, water, first-aid kit—in addition to entertainment options such as reading materials, television and video programs, and Internet, not to mention a landline and a personal cell phone for each. Still, something kept irking them and leading them to feel that they were leading a prison life. They felt as if they were living in a rather spacious dungeon, yet a dungeon all the same. Inside that dungeon, in a matter of days, they began to notice that their weight was steadily increasing. Their bodies grew heavier as time weighed down on them. None of the entertainment options could lighten them up. Besides, the sounds of gunshots and explosions were within earshot, inviting gory images of sniper operations and assassinations. They intimated to each other in a variety of ways their fear of unconsciously slipping from despondency to despair.

Rhythmic Exercise
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A Bouquet

By FATIMA AL-MAZROEUI
Translated by KATHARINE HALLS

I talk a lot.

It’s the quality you know me by—not just you, but my neighbors and the people on my street.

Come closer. Don’t move away, and don’t cover your ears, because talking comes instinctively to me, and I get no relief from my exasperation or sadness unless I talk to you. Come closer—don’t sit so far away. The day I told you I was going to leave you, you laughed, and I saw in your eyes a confidence I can never erase from my memory: you were confident I’d never do it, because I’m weak before you. But I’ll conquer that weakness and attempt to forget the memories I have with you.

A Bouquet
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Review: Desert Songs of the Night: An Anthology of 1500 Years of Arabic Literature

Book by SUHEIL BUSHRUI and JAMES MALARKEY
Reviewed by GRETCHEN MCCULLOUGH

Desert Songs of the Night

Suheil Bushrui and James Malarkey’s anthology, Desert Songs of the Night: An Anthology of 1500 years of Arabic Literature, is not aptly named. The romantic title conjures up an image of a bard, reciting poetry and telling stories in the Arabian desert by a fire: the very best poetry and tales from the Arabic literary tradition. In fact, the anthology is a collection of a wide range of texts, reflecting the rich cultural history and thought of Arabic heritage: chivalric verse, political, philosophical, and legal treatises, religious texts, moralistic essays, folktales, travel writing, excerpts from plays and memoirs and modern narrative poetry.

The collection is tempered by the academic backgrounds and interests of the two editors. Suheil Bushrui, who died last year at 84, was a distinguished critic and translator, an authority on Yeats and Kahlil Gibran and the founder and former director of the George and Lisa Zakhem Kahlil Gibran Center for Values and Peace at the University of Maryland. James Malarkey was Professor Emeritus at Antioch University, the former Chair of Humanities and General Education with past stints at universities in Algeria and Beirut. He is an anthropologist, specializing in Algerian politics.

Review: Desert Songs of the Night: An Anthology of 1500 Years of Arabic Literature
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Freefall in a Shattered Mirror

By HISHAM BUSTANI

Lying suspended over a lake. She can see her entire self on the surface of the water. Every now and then circles appear and expand, distorting the image. At times she looks at her reflection with sadness, at times she chokes with bitterness and tries to escape, to turn over or stand in the air. But it’s no use, she is totally fixed—as if fastened with unseen ropes.

Thick fog passes underneath. When it shrouds the view below, she feels euphoric, she feels herself turn inside out, revealing attractive short hair and two ears with seven rings in each, revealing her perfectly feminine form. She is fragrant with the scent of lemon. 

Freefall in a Shattered Mirror
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