All posts tagged: Dispatches

Port Arthur Girl

By CAROL ALEXANDER

Down around Port Arthur the tumbleweed, that mobile diaspore,
flings its seeds in a race with time, dying in a pool of rain or oil.
And what they have is a lot of sky and oil tanks coddling crude
and girls in much more underwear than they wear way up North.
Mining land is deeply scarred and raw, the gravel pits alien,
like lunar landscapes or the bank where Charon plies his trade.
The young ones necking in their cars, the ugly bars, showed you
the rocking road away from that stripped coastal town.

Port Arthur Girl
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Reunion

By MAURA CANDELA

The dogs were the first to greet us. Two came trotting into the parking lot of the Masseria. A farm manor on a mountaintop, the Masseria was built into the cliff of tufa, the sandstone of the mountains that ring the Valley of the Jato. Like one of Michelangelo’s Captives struggling to be free of marble encasement, the house—with all its many additions—seemed caught in the act of struggling to free itself of the mountain.

Reunion
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First Apartment Near St. Mary’s T Stop

By BRETT FOSTER

I recollect at last those first few weeks
on Beacon Street: broke newlyweds, we hid
our finite riches in a little room,
a basement studio whose cost seemed gruesome.
Fresh from Corpus Christi, you learned to speak
a northern language, talk of “quarters” wide-
mouthed like a Chowdahead’s wicked idiom.

First Apartment Near St. Mary’s T Stop
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The Blue Pearl

By NOREEN MCAULIFFE

On the stern of the Sharp, Mendee and I process fish diets. She slings a camouflage-green burbot over her thigh and slices its belly from tail to gills so the intestines spill out. Finding the stomach, she chops it off and splits it open, then hands it to me. It is rubbery and limp, like a popped balloon. I hold it over a petri dish and squirt water into the pink ridges so that the burbot’s last meal pours into the dish. This one had a few snails. The last one had three plump silver grayling stretching it taut, which we gutted in turn to see what they had eaten. This is how ecologists reconstruct a food web: unlocking who’s inside whom, like opening a Russian nesting doll.

The Blue Pearl
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Five Things About Mexico City (for Cinco de Mayo)

By LYNNE WEISS

1)  Five Names: Before it was destroyed by Cortez, the Aztec city that stood where Mexico City is today was called 1) Tenochtitlan. In the late 18th century the city was known as the 2) City of Palaces because of the grand mansions built by wealthy nobles and merchants. Today it is 3) Ciudad de Mexico or, as the capital of the nation, the 4) Distrito Federal, or 5) Mexico, D.F. (like Washington, DC).

Five Things About Mexico City (for Cinco de Mayo)
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Poetry on the Train

By KOBUS MOOLMAN

When the compartment door was drawn back, and I saw my room for the nearly twelve-hour trip home, I had to conceal my disappointment. The room was already occupied. Well, no problem. I thought to myself. Coming up to Johannesburg on the train I had been faced with the same problem. Then I had simply asked the conductor if I could change and he had found me a cabin where I could be on my own: to think my own thoughts, laugh out loud at my pettiness and, most importantly, write without distraction – all night if I so chose. Of course, things had been considerably easier on that occasion: my proposed companion had been an elderly white man who smoked like a steam engine and had the watery eyes and puffy nose of a heavy drinker. This time, however, I would have to make excuses for not wanting to share a cabin with a quiet middle-aged black man.

Poetry on the Train
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Dream Tracks

By PATRICIA O’HARA

The New York-New Haven train (three or four cars, caboose, and an engine) leaves my hometown for Grand Central Station by day, by night, by day again, clack, clack, clacking through my backyard. Behind the storage tanks of B.J. Dolan’s Home Fuel Oil Company, the train pushes across the swamp meadows. Not so fast that I can’t see the passengers, though Margaret and Muriel and I hide in the tall grass because our mothers have forbidden, very forbidden, playing on the tracks. But fast enough so that the sticky milkweed and Queen Anne’s Lace bend backward, shocked, in the train’s wind wake. And then it’s safe to come out and look for the pennies we’ve laid on the tracks, thinned now, their presidential faces and patriotic mottos erased. These are the dog days of August, and we are the Lost Girls in ponytails, and though we have made a pact—together forever—I keep one eye always on the caboose as I listen for the fire siren that calls us to our five-o’clock suppers in our mothers’ kitchens.

Dream Tracks
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Bring ‘Em Home

By CRALAN KELDER

on idyllic Bali in 21stcentury with Frank who keeps talking about Charlie, as we relax in sun-glasses and tee-shirts during our drive across the island, our road traversing numerous picturesque terraced rice paddies, with Frank who periodically rolls down a window of the mini-van to shout “bring ‘em home!” at the oblivious farmers peacefully tending their crops, many of whom are indeed wearing woven grass sun-hats for the heat

Bring ‘Em Home
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Five Waterfalls

By JAMES A. GILL

The trail never begins level. It’s part of the architecture of a waterfall. A creek or a stream or a river is flowing along its course, and then there is an abrupt change—a fall—that brings the water a little closer to sea level. A little closer to home.

Five Waterfalls
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The Writing Room

By SUSAN STINSON

Watson Room

Photo by Jeep Wheat

I write twice a week in the Watson Room at Forbes, the public library in Northampton, Massachusetts. It’s a simple space, dedicated, according to a brass plaque, to the memory of Julia and Rosa Watson, who made generous bequests. There are built-in cabinets with locked glass doors, full of old books, all bound in the same black with gold letters on their spines. Statistics of Coal. Geology for Beginners. Select British Poets, Hazlitt. Don Juan, Byron. Life of Napoleon Bonaparte, Scott, volumes 1, 2 and 3. There are six long, wide windows with green blinds, which look out over the library parking lot. The cars and the people seem vivid but far away.

The Writing Room
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