All posts tagged: Essay

On Display

In the cabinet in the atrium outside my office is a glass display case that holds, among other things, a beautiful kidney shaped vessel, its patina smoothed by use. Label: “Brass Pus Basin.” It is an object to stand and stare down at for a while, intentionally or idly, to move on from and return to, to see in passing. Nearby, as part of an exhibit on bloodletting and cupping, are 18th- and 19th-century thumb lancets with their sharp little blades and tortoiseshell and mother-of-pearl handles. In the next case over, a collection of 40 or so calculi (“bladder stones”) of varied size and shape, all disturbingly large. This is the Warren Anatomical Museum, at Harvard Medical School’s Countway Library, where “the dead teach the living.”

On Display
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Trailer Days

The town was segregated, not by laws but by economics. The lines were almost too stark. The northeast side of town was the “black side of town” while the southwest side of town, the farthest away from northeast, was the well-to-do, upper-middle-class “nice neighborhood.” The truly well off lived outside city limits in large homes built along cul-de-sacs in the middle of hardwood forests. I lived in the giant trailer park north of town, just across the railroad tracks from the NE housing projects.

It had nearly 400 trailers, a hamlet of tin cans. The trailers were singlewides, mostly from the 60s and 70s, and placed close together with small patches of grass between. They were set on concrete pads and anchored with “tornado straps,” metal bands bolted into the ground. It was a cheap place to live. A guy I worked with at Domino’s Pizza had lived there and sold his trailer to me and my friend Jon for $2,000. Lot rent was $100 a month, including water and trash.

Trailer Days
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Period Rooms

 By JULIA LICHTBLAU

 

dining room

i12-02097

It was a long, elaborate, symmetrical Adam room, with two bays of windows opening into Green Park. The light, streaming in from the west on the afternoon when I began to paint there, was fresh green from the young trees outside.

Brideshead Revisited by Evelyn Waugh

 

The serene, neoclassical “Dining Room from Lansdowne House,” designed by Robert Adam in New York’s Metropolitan Museum of Art eerily matches Evelyn Waugh’s description down to the green light and the house’s fate: two wings demolished in 1930 to make way for a road, and the rest converted to an eating club in London’s Berkeley Square. In Brideshead Revisited, contractors are about to pull down Marchmain House and replace it with a block of flats. The Landsdowne Dining Room, in its symmetry and restraint, exudes confidence in the rightness and durability of inherited privilege.

Period Rooms
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Ivory Teeth

lake

My mother is driving us away from Spokane International Airport when she tells me about the elk. Before dawn, she warmed her Ford Ranger and headed into town, planning to catch up on some work before I arrived from Baltimore. At one moment there was no elk. And the next: elk. A world of elk and the metallic rip of something under the hood, the sort of sound I fear on the long flights home. That undeniable knowledge that something has gone horribly wrong.

Ivory Teeth
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After a Year in Baltimore

By MARIAN CROTTY

 Howard Street

1.

I keep wondering what is strange and what is merely unfamiliar—what is truly inexplicable and what I simply don’t yet understand. For instance, for months, airships from the Aberdeen Proving Ground have floated on the edge of the skyline—two fish-shaped blimps invisibly tethered to the ground, wobbling the way a balloon would travel if it were tied to a post and caught up in the wind. They belong to a military surveillance project being developed by Raytheon to scan the Eastern Seaboard for cruise missiles. For months, I told almost everyone I met about the airships, trying to shock someone, but they almost always shrugged. “I saw those,” they said. “I thought they were weather balloons.”

After a Year in Baltimore
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Driving to Malaga

By TODD HEARON

(And way up north they’re starting to recover
in Maine the undeniable remains
of a settlement you might be interested in seeing
you’re into that whole hushed-up-history thing….

                                  —postcard from Tennessee

1

You’ll pull off the main road, Route 209, south of Phippsburg, where Google Maps tells you. It won’t be long until the pavement’s gone, dirt road bleeding off into thinner dirt road, the coastal woods around you more and more secluded, untouched, the stillness and silence cut only by the rattle-and-pop of your tires and undercarriage. Summer foison is in the woods and the thick roadside overgrowth oppressive. It leaps out urchin-fashion to snag your fenders and doors. Occasional capillaries, also dirt, appear from nowhere and feed into your passage; as you wind slowly deeper, you keep one eye to the rearview, making note which way you’ll steer to make it out. Time’s a lost thing, memory a maze. How long have you been puttering now? Trouble out here, nobody’s going to find you. Google Maps shows only a faint gray line extending vaguely westward through a cyberphoto block of green.

Driving to Malaga
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Siena

By KATHERINE DYKSTRA

 

Bomolluck: not a thing in the night, but what you fear in the night.
It can sit on your chest

The train was pointed toward a hill town in Tuscany. From my seat on the exhausted maroon upholstery, I watched the bustle on the sooted platform: the hop-skip of those running late, the toe-to-toe and clutch of goodbye.

Siena
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He’s-At-Home

By BEN SHATTUCK

On Nantucket, eighty-year-old Connie Congdon and I sat in her dim living room looking at the 120-year-old plaster dildo that a mason had found in her chimney. It now rested in a pink dress box on her lap. At my feet, three sweet-faced Australian shepherd dogs snapped at houseflies. A catbird sang in the street. Her house is an old colonial buried deep in a nest of lanes in the historic downtown.

Connie said she usually kept the box in the pantry, near the urn of her daughter’s cat, Spanky. In the box were the other antiques the mason had found with the dildo: six charred envelopes from the 1890s addressed to Captain James B. Coffin; letters from the same James B. Coffin to Grover Cleveland and Assistant Secretary of State Edwin Dehl; a dirty and frayed shirt collar; a pipe that still smelled of tobacco when I fit my nose in the bowl; and a green glass laudanum bottle. These items must have been hidden in the chimney by James’s wife, Martha “Mattie” Coffin, sometime between when the letters were dated and when she died in 1928. The fireplace was later sealed up, and a closet was built in front of it. With these valuables, Connie kept a CD recording of her late husband, Tom, being interviewed about the dildo for Nantucket Public Radio. “It’s the only recording I have of his voice,” she said.

He’s-At-Home
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On Hearing the News of the Shooting at Umpqua Community College

I think of the winter years ago when I taught an evening class there made up of a group of nontraditional students studying social work and counseling, many of them driven to do so by the addiction or poverty or general hard times that affected, in one way or another, everyone. I’d leave the southern Willamette Valley in the dark and rain and cross the Calapooya Mountains towards the small city of Roseburg. That stretch of interstate still held remnants from the slower travel of the past where people stopped more often, sat down for meals, and had their cars serviced in the meantime. One exit still operated an all night diner and lounge, gas station and motor lodge, decked out in the original neon glaring through the night like brightly colored clouds; another exit twenty miles away with the same amenities along with roadside carnival rides, stood completely abandoned, as if at some point in 1963, everyone just walked away, not even bothering to flip the faded sign on the door from Open to Closed.

On Hearing the News of the Shooting at Umpqua Community College
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Notes from a Box

CRISCO IN A BLOCK

I’m not really sure why it’s all so illegible now. The ink fades to nothing midway through and is gasping for breath where it’s visible at all. I have a vague recollection of the page living on one side of the fridge for a time (reminding us of its existence)—so perhaps the sunlight hit it just so. Or perhaps the pen itself was too weak, not up to the task.

Notes from a Box
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