Interviews | The Common

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A Kind of Mythic Convenience: A Conversation Between July Westhale and Daisy Atterbury

January 12, 2026 Interviews

Daisy Atterbury (left) and July Westhale (right)

DAISY ATTERBURY’s book The Kármán Line poses a question about speculative futures, queerness and space, and ‘a hope for a shared present.’ The Kármán line is defined by Atterbury as “the altitude at which the Earth’s atmosphere ends and outer space begins. The Kármán line is the edge of space, as opposed to near space, the high altitude region of the atmosphere. When they say altitude, they’re thinking in terms of the human. What is measurable from the ground. Beyond the Kármán line, the Earth’s atmosphere is too thin to support an object in flight.”

Northern Spaces, Idiosyncratic Characters & the Beguiling Icelandic Landscape: an interview with Nathaniel Ian Miller

December 8, 2025 Interviews

Jenna Grace Sciuto (left) and Nathaniel Ian Miller (right)

NATHANIEL IAN MILLER has always been intrigued by northern spaces, a link that connects his acclaimed first novel, The Memoirs of Stockholm Sven, to his latest work, Red Dog Farm. Red Dog Farm is a wonderfully engaging coming-of-age tale about a young Icelander named Orri and his relationships with family, friends, and the farm where he was raised. Miller’s ability to write characters—whether human or animal—that are, in his words, “emphatically (and believably) themselves,” is a unique strength. JENNA GRACE SCIUTO discussed the book with Miller, touching on what writing about northern spaces enables in his novels, his influences (Icelandic and more broadly), and the versions of himself that have gone into this story.

Translating Toward Possibility: Sarah Faux Interviews Mariam Rahmani

November 10, 2025 Interviews

Headshots of Sarah Faux and Mariam Rahmani

Sarah Faux (left) and Mariam Rahmani (right)

Friends for over a decade, MARIAM RAHMANI and SARAH FAUX have been connecting for years about their respective artistic practices. They recently spoke over Zoom for The Common: Sarah from her painting studio, and Mariam from her office in Vermont. In the following conversation, they discuss Mariam’s novel, Liquid, published earlier this year, which centers a queer Muslim woman who navigates 100 dates in one summer. They speak on how translating others’ work has served Mariam’s own voice in writing, and how messiness and uncertainty are at the heart of good literature.

Stop Being Precious About Process: Julian Zabalbeascoa interviews Michael James Plunkett

October 13, 2025 Interviews

In this interview, JULIAN ZABALBEASCOA and MICHAEL JAMES PLUNKETT explore how a chance visit to the World War I battle site of Verdun sparked a decades-long journey that led to Plunkett writing Zone Rouge. Their conversation took place across time zones as Zalbalbeascoa was in Donostia-San Sebastian, Spain, and Plunkett was home in Columbus, Ohio, having just welcomed his second child. In their correspondence, they cover makeshift writing rituals from Morgan Stanley’s cafeteria to subway rides, the joys of publishing with independent presses, the art of dodging probable plot twists, resilience in the face of climate change, and “fiction’s ability to explore the human condition in ways data can’t.”

Julian Zabalbeascoa (Left) and Michael Jerome Plunkett (Right)

Julian Zalbalbeascoa (JZ): Since The Common is a journal that celebrates how place functions in our lives, I thought we’d begin with the setting of your novel: Verdun, site of the decisive battle in World War I, which resulted in the deaths of over 300,000 French and German soldiers. When did your interest in Verdun (the place and the battle) begin? And when did you think to yourself, There may be a novel here.

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

September 8, 2025 Audio, Interviews, Poetry Recordings

Phillis Levin (left) and Diane Mehta (right)

DIANE MEHTA and PHILLIS LEVIN’s conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. Though what appears below can only be fragments of their full exchange, the two poets—both previous contributors to The Common—share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, formal constraint, and expressing multiple perspectives in poems.

This interview includes recordings of many of the poems mentioned, read by the author.

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

August 11, 2025 Interviews

Lena Moses-Schmitt (left) and Megan Pinto (right)

When we listen to language, what do we hear? When we look at an image, what do we see? LENA MOSES-SCHMITT’s poetry beautifully captures the nature of perception. Her lyric-narrative meditations are interested in the mind’s movement across the field (visual, sonic) and the page. Moses-Schmitt writes in “The Hill”: “This morning I heard the man/ who lives downstairs say I love you to the woman–/not the words, but the rhythm, the shape, and I filled in the rest/ as if with red crayon.” Her debut collection, True Mistakes, moves between perception and imagination, the grieving for and the making of a life. MEGAN PINTO sat down with Lena Moses-Schmitt on a sunny June afternoon in Brooklyn. They marveled at the light through the leaves and drank cold seltzers with bitters. Their conversation shifted from superhero alter egos to how poetry sustains them through life’s many blips and heartbreaks.

An Embodied Sense of Time: Raychelle Heath Interviews Rosa Castellano

July 14, 2025 Interviews

Rosa Castellano (left) and Raychelle Heath (right)

RAYCHELLE HEATH (RH): Rosa, it is so lovely to meet you, and All is The Telling is such a beautiful read. The book is structurally interesting, and it’s inspiring on many different levels. The stories of different girls and women drew me in immediately. But, I want to start with the title. You’re telling a layered story here, and I’m curious how you arrived at the title. How does the title poem place the characters in the story arc of the book?

ROSA CASTELLANO (RC): I love this question! I hope that the collection’s title and the poem prepare readers for all of the telling that takes place in the book, which is largely concerned with telling stories and telling our truths, especially the stories we carry in our bodies. I subscribe to this idea of the layered self, like a series of paper dolls we can tug open to find a line of selves connecting who we are now, back to all the selves we’ve been, those previous identities that we hold. That’s how I’m hoping the poems in this collection work, linked together with various kinds of repeating patterns, working to tell the interconnected stories of a self. It’s a complicated thing, most days, to be an alive person.

The Moon as a Beacon of Human Earnestness: A Conversation Between Boston Gordon and July Westhale

May 12, 2025 Interviews

In poet JULY WESTHALE’s upcoming book, moon moon, humanity finds itself in a precarious position—Earth has become unlivable, forcing people to seek refuge elsewhere. But when the moon proves overcrowded, humanity pushes even further, settling on the mysterious and perhaps astronomically dubious moon’s moon. Part modern epic, part ecological elegy, the collection tackles eco-grief, climate change, and human hubris, all while weaving humor throughout its poetic narrative.

July Westhale, whose earlier books include the autobiographical exploration of class warfare in California, Trailer Trash, and the intense poetic meditation on desire and divinity, Via Negativa (praised as “stunning” by Publishers Weekly), brings their signature incisiveness and wit to this timely new work. They also released the recent Unmade Hearts: My Sor Juana, a delicious translation of the work of Sor Juana Inés de la Cruz.

Today, Westhale converses with poet BOSTON GORDON, author of Glory Holes and the forthcoming Loose Bricks. Gordon, who also champions queer and trans voices through Philadelphia’s acclaimed “You Can’t Kill A Poet” reading series, guides this thoughtful discussion as they delve into meditations on writing, the moon, and what poetry teaches us about ourselves.

You can pre-order moon moon here.

Candy and Layer Cake: Zack Strait in Conversation with Richard Siken (and Five Poems)

April 24, 2025 Interviews, Poetry

In this month’s poetry feature, ZACK STRAIT talks with RICHARD SIKEN about influences, confrontation, readers, accountability, sacrifice, balance, surface beauty, deep meaning, writing, and Waffle House.

On Civilians: Victoria Kelly Interviews Jehanne Dubrow

April 14, 2025 Interviews

JEHANNE DUBROW is the author of ten poetry collections and three books of creative nonfiction. After twenty years in the U.S. Navy, her husband recently completed his tenure as an officer, and this transformation led Jehanne to write Civilians, the final book in her military spouse trilogy, a sequence that began with the publication of Stateside in 2010 and continued with Dots & Dashes in 2017.

Novelist, poet, and Marine veteran spouse VICTORIA KELLY sat down with Jehanne to discuss Civilians, which confronts pressing questions about marriage, transitions, love, and war. Though they have known each other virtually for over a decade—as two members of the very small literary community of military spouse writers—this was the first time they connected face-to-face.

Victoria Kelly (VK): Your new book Civilians is the final volume in your trilogy about the experience of being a modern military spouse. Can you give us some background on your family’s experience with the military?

Jehanne Dubrow (JD): I’m the daughter of two U.S. Foreign Service Officers. I grew up in American embassies overseas. To be a diplomat is to be a civil servant; so, I thought I understood—through my parents’ work—what it means to serve.