for Raul Zurita
And he stirred his coffee, the old poet, and spoke of
Dante, and how Homer’s journey to the underworld
wove a thread through Virgil to the selva oscura. And
that the Commedia was not the apex of Christianity, but
its finale. That the enormous architecture of the poem
was not built to house theology, but to protect man from
the absence of God, who had already departed.
