All posts tagged: Restless books prize for new immigrant writing

Read Excerpts by Finalists for the Restless Books Prize for New Immigrant Writing 2024

On the Restless Books Prize for New Immigrant Writing:

We are thrilled to announce the finalists chosen for this year’s Restless Books Prize for New Immigrant Writing in fiction. In this ninth year of the prize, it has never felt more important to highlight themes of migration, displacement, unrest, alienation, self-determination—of seeking home, and all the reasons one leaves home to find a better way.

As it has since the beginning in 2015, the prize seeks to support writers whose work examines, with fresh urgency, how immigration shapes our countries, our communities, and ourselves.The winner will receive $10,000 and publication by Restless Books.This year’s judges—authors Priyanka Champaneri, Rivka Galchen, and Ilan Stavans—have selected the following four finalists. Please join us in celebrating their work.

Read Excerpts by Finalists for the Restless Books Prize for New Immigrant Writing 2024
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An Index of Earth Words

By ANNESHA MITHA

Excerpted from Every Other Universe, a finalist for the Restless Books Prize for New Immigrant Writing 2024.

 

This planet is mine and I belong to this planet. I know because when the dirt hits my tongue I feel almost joy. The earth here tastes like blood, which I haven’t tasted in many years, but I remember it, I remember being a child and cutting myself on an open can my mother had left in the kitchen, so long ago the memory comes to me as if from underwater. I slid my thumb against the silver crease, and my skin forked and made a dripping. It was my first encounter with sincere pain, but I didn’t mind. I still don’t. It feels like stray teeth in my stomach, a hard, misplaced bite.

The medical team here, of which I am a part, is overstaffed. If there’s a hurt on you, we’ll find it, we’ll lay you horizontal on a clean white sheet and watch the monitors spasm green and black, we’ll dizzy you with painkillers. There’s nothing else for us to do. Pain has become almost absent from our planet. I miss it. I miss stomachaches and headaches, the way my mind would curve toward the small agonies, how the basket of my body carried my hurt everywhere I went. Now, people are dying without any hurt at all, vanishing in clean rooms that smell like lemons. 

An Index of Earth Words
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not equal to ≄

By AYOTOLA TEHINGBOLA

Story selected from Lagos Will Be Hard for You, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

 

There was a statue of the real Jack Daniels in the corner, or so the plaque read, but Jonathan swore that it looked more like one of the U.S. presidents: hat, beard, suit, presence, pose. It had a rainbow flag affixed to its shoulder, so Lotanna, or Lottie as she had come to be called in America, went with the Jack Daniels claim. 

It was New Year’s Eve and they were on their third date. 10th Street Station was a basement bar and Lotanna decided she liked it as soon as she stepped in. The walls boasted of old autographed Hollywood posters and portraits, number plates proud of the Land of Potatoes, and when Lotanna found drawings on one of the high beams she thought it must have been by someone who cared a lot about this place but was shy of their talent. It was all mismatched in shape, color, and size. Nothing belonged. Like her. They ordered glasses of IPA and sat near the heater, and she kept glancing at her phone, waiting for the new year to ring so she could go home to her basement apartment. 

“Hey. You okay?” Jonathan asked, nudging her lightly. 

not equal to ≄
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Three Stories from A Bunch of Savages

By SOFI STAMBO

Excerpted from A Bunch of Savages, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

 

Baba Borka

I absolutely have to go to Coney Island every weekend.  People think that’s strange. Luckily, lately I don’t care if people love me, like I did before. I used to suffer and blush and stay home and cry. Not anymore—I grew up and out of this. One day I woke up and realized that it doesn’t matter if I am well-liked or not. What matters is to get up at six, go to work, calculate for fifty hours, get yelled at, watch people get bullied, stay calm, and not kill anyone.

I can definitely do this, but with huge quantities of Coney Island.

I need to step into this postcard image of sea, sand, salt, and seagulls. This is my comfort zone. I don’t need anything else. Unless we are going for perfect, then maybe a peeled peach, and my grandmother to peel it.

Summer always starts with her glittering, gold-toothed smile. In the morning, the night train from the capital arrives at the old station in Varna. My small grandmother and huge grandfather are running toward us, they always ran, with bouquets for my mother, my sister, and me. These dahlias have been planted, watered, and weeded months ago for us. They’d been cut an hour before. The seagulls scream, it smells like sea, the station shines wet from the fog and bright from the sun and the smiles of my people.

Three Stories from A Bunch of Savages
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Excerpt from Cattail

By HAITAO XU

Excerpted from Cattail, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

1.

Kargh, pzzzs, kargh. Good morning, Revolutionary comrades! The sun is rising;  
Kargh, pzzsz . . . the war drum is beating!

Again, the formidable metal rooster atop the office building of Sunrise People’s Commune Brigade Three shattered the quiet early morning with its violent static coughs and squawks. 

Hearing it, Cattail, a tall and thin girl in a faded purple winter coat, kicked the dirt floor of the kitchen, a lean-to attached to their main dwelling, which consisted of a hut with two bedrooms and a common area. 

She should have the breakfast ready. But their meal, sweet potato soup, the same food they have twice a day in winter, was not boiling yet. The sweet potatoes were like stones. She knew the loudspeaker would soon summon every commune member, all the adult residents of Brigade Three, to report to work.

Excerpt from Cattail
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Red Currants

By CATHARINA COENEN 

An excerpt from Unexploded Ordnance.

 

Sometimes red currants at the farmer’s market glow like dashboard warning lights, the sugar in my shopping basket drags on my arm like lead, and sweetness, beauty, danger taste the same. Sometimes my eyes project the letters from a sign outside the Licht- und Luftbad in Essen, Germany, onto the walls of a new world. Sometimes my retina and taste buds feel like my grandmother’s rather than my own. I cannot tell the currant story in third person, because, though she lived and told it, it is mine.

~

The woman stops in mid-greeting, mid-step; I nearly bash her knees with the picnic basket swinging from my hand.

“What’s wrong?” I ask, balancing the basket on my forearm to rummage through blanket, coffee flask, fork, spoon, making sure the bag of sugar is still wedged upright, between the currants and the white enamel bowl. She doesn’t answer, doesn’t move. I look up from the basket, then farther up at her face. She gazes past me; I turn to trace the line of her fixed stare. The entrance lodge to the Licht- und Luftbad looks the same as always: red geraniums, peeling paint, tack-bitten wood around the ticket booth window cluttered with signs—women this way, men that way, admissions prices, rules and regulations, opening times. Even the porter is the same.

Red Currants
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Read Excerpts by the Finalists for the Restless Books Prize for New Immigrant Writing 2023

On the Restless Books Prize for New Immigrant Writing:

Migration is an increasingly common feature of modern life. Whether for personal or for political or environmental reasons, when people cross the many thresholds of our world—traversing landscapes, languages, traditions, and border lines—they do so often at great personal risk. Those who make this transformative passage reckon with the isolation of displacement as well as with the meaning and value of “belonging” on unfamiliar soil. Their stories are the connective tissue of a global society, speaking directly to our present and our future.

Since its inauguration in 2015, the Restless Books Prize for New Immigrant Writing supports the voices of writers whose work brings fresh urgency to crossing cultural and linguistic divides, questions the sense of self in an increasingly interdependent world, and lends a voice to what it means to leave one home for another and why these stories need to be told. The winner will receive $10,000 and publication with Restless Books. This year’s judges, Grace Talusan, Jiaming Tang, and Ilan Stavans, have selected the following four finalists.

Read Excerpts by the Finalists for the Restless Books Prize for New Immigrant Writing 2023
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