All posts tagged: review

Unwarranted Reticence: A Review of Eleanor Wilner’s GONE TO EARTH

Reviewed by TERESE SVOBODA

Image of the cover of Gone to Earth: a woman sitting on a stool with mountains in the background.

Eleanor Wilner, a recipient of the 2019 Frost Medal for distinguished lifetime achievement in poetry and MacArthur-winner, had to be coaxed to publish her first collection at age 42. Arthur Vogelsang, her co-editor at the American Poetry Review, “threatened various forms of physical harm if I failed to follow through.” Her reluctance, she says, was “probably a universal fear of rejection but intensified by a woman’s trained reluctance to put her own work forward.” The skid marks in resisting publication, even in Gone to Earth: Early and Uncollected Poems 1963-1975, Wilner’s ninth book of poetry, are further evidence of such modesty. On the acknowledgments page, Wilner includes an excerpt from a poem by her then-young daughter, begging her mother to publish. This is followed by “To the Reader,” a note which assures readers that the poems “belonged to the realm of imagination and not to the world of opinion,” then an italicized eight-line epigraph ending with “she much preferred / what she could not afford: / the luxury of words and light,” and a prelude poem, “Ritual,” set in prehistoric Africa, mourning the muse, “the blackened stone / that once poured fire from its heart.” Only then, a page later, does the book begin, all poems fully fledged.

Unwarranted Reticence: A Review of Eleanor Wilner’s GONE TO EARTH
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Fire of Love: A Review

Film by SARA DOSA

Review by HANNAH GERSEN

Fire of Love Poster

You don’t expect a documentary about volcanos to begin in freezing temperatures, but in the first scenes of Sara Dosa’s enthralling new feature, Fire of Love, married volcanologists Katia and Maurice Krafft struggle to free a jeep mired in icy slush. Farther down the road is a fiery pool of molten lava. Much later in the film, they trudge through the gray ash of a recently erupted Mount St. Helens, a setting that looks cold even though it is baking hot. Both landscapes seem unreal, even with Maurice and Katia in the frame. Their footage is so remarkable that I would have watched a 90-minute slide show of their photographs. Fire of Love is much more than that, but the film and photo archive is at the heart of the story, and it’s where Dosa looks for clues as she tells the story of the Kraffts’ career, one that was inseparable from their romantic partnership.

Fire of Love: A Review
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Friday Reads: August 2022

Curated by SOFIA BELIMOVA

Is your summer to-be-read list getting sparse? Check out these exciting reading recommendations by TC’s latest contributors, including vibrant poetry that explores identity and relation and two novels that dwell on strange encounters and liminal places. 

 

Image of Maya Marshall's poetry collection: woman in a white slip with a blond afro and animal mask.

Maya Marshall’s All the Blood Involved in Love, recommended by Susanna Lang (Contributor)

Those of us already familiar with Maya Marshall’s poetry have wanted to see a collection for years, and her debut, All the Blood Involved in Love (Haymarket, 2022), is worth the wait. There are many poets writing now who focus on their identity, but they do not all have access to such rich language that lifts the concerns linked to her identity—Black, female, queer—to the level of poetry. 

Friday Reads: August 2022
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At Home on the Range: A Review of Bitterbrush

Film by EMELIE MAHDAVIAN

Review by HANNAH GERSEN

cover page of bitterbrush

 

In recent years, female filmmakers have been carving out a space for themselves in the American West, redefining a genre and a place that is has historically been depicted as the terrain of lonely male cowboys and vigilantes. There have been period pieces like Jane Campion’s The Power of the Dog, and Kelly Reichardt’s Meek’s Cutoff and First Cow, as well as contemporary stories set in the west, such as Chloe Zhao’s The Rider and Nomadland, and Reichardt’s Certain Women. These films bring a new realism to the western as they widen the lens to center female characters and to incorporate themes of friendship, romance, and community.

At Home on the Range: A Review of Bitterbrush
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Review: Higher Ground

Book by ANKE STELLING, translated from the German by LUCY JONES

Review by A. MAURICIO RUIZ

 

Red Higher Ground book cover

A woman writes to her fourteen-year-old daughter. Not letters but a manual. She tries to offer advice on how to live in Germany in the early twenty-first century. There are the practical matters, the dos and don’ts that are imposed on each member of society depending on the stratus he or she belongs to. There are also the more nuanced aspects of human interaction such as friendship, why it matters, and how it could be lost. The woman writes in present tense, without much ornament, it flows and flows, and in the act of writing the woman is being transformed.

Review: Higher Ground
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Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman

Film by CÉLINE SCIAMMA

Review by HANNAH GERSEN

cover of petite maman. shows two girls hugging each other

Petite Maman, Céline Sciamma’s fifth feature-length film, following 2019’s critically acclaimed Portrait of a Lady on Fire, is a time travel story that reminded me of one of my favorite movies from childhood: Back to the Future. Aesthetically, the two have very little in common—one is an art house movie with unknown child actors, the other a somewhat goofy studio feature starring Michael J. Fox—but at the narrative core of both films is a deep psychological wish that many children harbor: to know their parents when they were younger. In Back to the Future, a teenage Marty McFly accidentally travels back in time to meet his parents at the beginning of their high school romance. In Petite Maman, eight-year-old Nelly stumbles into a kind of woodland passageway through which she can visit her mother’s childhood and play with her mother as an eight-year-old girl. In this alternate reality, Nelly also interacts with her maternal grandmother who, in Nelly’s present-day timeline, has recently passed away. 

Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman
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Review: All Morning the Crows by Meg Kearney

Book by MEG KEARNEY

Review by HOWARD LEVY

All Morning the Crows
There are books of poems that in their creation seem, for the poet, to rise out of a sheaf like an oasis, something unknown, unmapped, to be discovered in all its vivifying magic. Then there are books of poems that the poet always seemed to know the map to, where a central insight or trope allowed the book to unscroll itself in the poet’s tongue and brain and heart.

Review: All Morning the Crows by Meg Kearney
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Film Review: Through the Night

Movie directed by LOIRA LIMBAL 

Review by HANNAH GERSEN

Movie poster

I didn’t have much awareness of overnight childcare centers until I watched Through the Night, a documentary about a married couple, Deloris and Patrick Hogan, who run Dee’s Tots, a 24-hour daycare in New Rochelle, New York. Sadly, I don’t think my ignorance is unusual, and is likely shared by the many members of Congress who have consistently declined to fund public childcare, even after the pandemic revealed how necessary it is to working parents. Although not overtly political, Through the Night is quietly radical as it shines a light on the work of caregiving. It’s highly skilled labor that is essential to the health of children and families, yet childcare workers are often overworked and underpaid. To the extent that the government has childcare policies, they are designed to fit a model of a nuclear family with one stay-at-home parent. Director Loira Limbal shows the reality: many parents (usually mothers) are raising children on their own, and their jobs do not offer the pay, benefits, or flexibility to accommodate child-rearing.  

Film Review: Through the Night
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Friday Reads: September 2021

Curated by ELLY HONG

For our September round of Friday Reads, we spoke to two recent online contributors: Kaori Fujimoto, author of the dispatch “Shinjuku Golden Gai and the Midnight Diner,” and Sophie Crocker, author of the story “Lyuba Boys.” Their recommendations both speak to the power of language; an American author journeys toward writing in Italian, and a new collection of poems challenges English as a weapon of colonialism.

Recommendations: In Other Words by Jhumpa Lahiri and Pilgrim Bell by Kaveh Akbar

Friday Reads: September 2021
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Film Review: Holler

Film written and Directed by NICOLE RIEGEL

Review by HANNAH GERSEN

Holler film movie poster

 

In Tara Westover’s bestselling 2018 memoir, Educated, a wildly intelligent young woman finds herself stuck working in her family’s junkyard, unable to leave her isolated Idaho town even as she longs to go to college. Public school is forbidden by her fundamentalist Mormon father, so she is homeschooled with her siblings and forced to scrap metal in illegal and unsafe conditions. Westover’s gripping story of escape captivated readers across the country, and I found myself thinking of it as I watched Nicole Riegel’s directorial debut, Holler, which concerns a young woman facing similar challenges.

Film Review: Holler
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