The Yoke’s On Us

By CHRISTOPHER SPAIDE

We broke the law and into smiles.
We sowed dissent and daffodils.
We wiped our tears and private files.
We stacked the deck and dollar bills.

We shot the shit then shot the sheriffs.
Exchanged vows and currencies.
We raised the dead and export tariffs.
Ordered troops and extra cheese.

We counted calories and bodies.
Played Monopoly and God.
We lost our passwords and libidos.
Left for dead and old Cape Cod.

We practiced abstinence and cellos.
Filled up hard drives and Sing Sing.
We seized the day and eighty kilos.
Saw, and said, and did, something.

We joined a gym, the June Rebellion.
Marched on Washington and meth.
We waxed poetic and Brazilian.
Watched our back, our mouth, Macbeth.

We gave ’em hell and syphilis
Till Sisyphus rolled up and down.
We blew our chances and a kiss
To one noun and another noun.

We turned a page and into bugs.
We cured cold cuts, the common cold.
We took stock tips and party drugs.
We struck preemptively and gold. 

We went for broke, or went broke, broke
Down, bore that cross, that drill, that ache,
That straw-thin crack that broke our back
Whose yoke could cut no break, nor break.

 

Christopher Spaide graduated from Amherst College and is currently a PhD candidate in English at Harvard University. His poetry and criticism have appeared or are forthcoming in Boston ReviewPoetry, and The Yale Review.

[Purchase Issue 16 here.]

The Yoke’s On Us

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.