While Our Father Was Hunting Rocks

By ELIZABETH HAZEN
Mountains rise beyond the Laundromat
like ochre waves about to crash; our father,
armed with tools and pack, tracks the rocks
without a map. Here, the Laundromat is all
in a strip of vacancies; for miles, nothing
but dirt, dust, outcrop, sky. Our mother gives

us coins to clink in the machine; it gushes
cold, foams with the flower-scented soap we dump
from a plastic scoop. Out back, we kick the dirt:
curled in sagebrush, the carcass of a cat.
Inside, our mother, lost in swirls of fading
color, and somewhere in the rocks that look
so near collapse, our father carves out meaning.
When he returns to us, hours later, or days,
he pulls trilobites from his pack, licks them clean.
See? he says, and we do. Dusk hovering,
we chatter at him, showing him the laundry
we have helped our mother fold. At last, we lead him
to the cat, our great find, its stench rising, the novelty
of death a little less under his studied gaze,
and the flies buzzing like static, eager to feed.

 

Elizabeth Hazen has poems appearing or forthcoming in Best American Poetry 2013, The Threepenny Review, Southwest Review, Fourteen Hills, Salamander, and other journals. She lives in Balitmore.

[Purchase your copy of Issue 02 here.]

While Our Father Was Hunting Rocks

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.