Widowhood in the Dementia Ward

By FINUALA DOWLING

 

“Oh my God, I’m so pleased to see you,”
she says from her nest of blankets.
“I’ve been meaning to ask—
How is your father?
How is Paddy?”

“He died,” I say, remembering 1974.

“Good heavens, now you tell me!
How lucky he is.”

“You could join him,” I suggest.

“I didn’t like him that much,” she replies.

 

 

Finuala Dowling‘s poetry collections include I Flying, winner of the Ingrid Jonker Prize; Doo-Wop Girls of the Universe, joint winner of the Sanlam Prize and Notes from the Dementia Ward, winnter of the Olive Schreiner Prize.

Click here to purchase Issue 04

Widowhood in the Dementia Ward

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.