Labyrinth 76

By OLIVER DE LA PAZ 

The boy in the labyrinth bends to the darkness. Closes his eyes. Imagines that it lies to him. Because it is full of lies. Because at the center of the darkness is a man who is also a bull. And he is curled up at the hub of it all. The boy thinks about the man-bull padding his way along the slick corridors, rubbing his sides against the hewn edges of basalt. Here and there a tuft of fur snags, yanked out in patches. The minotaur nudges along the way the sightless fishes swim up with the waters of the underworld, pulled by the current, the waters sucked their mouths and on through their gills. To the fish, it’s as if the current were a thing with a mind. It enters the mouth and leaves it according to its will. And in the labyrinth the will is forever wishing to be let in.

Oliver de la Paz is the author of three collections of poetry, Names Above HousesFurious Lullaby (SIU Press 2001, 2007), and Requiem for the Orchard (U. of Akron Press 2010), winner of the Akron Prize for poetry chosen by Martìn Espada.

 

Listen to Oliver de la Paz and L. S. Klatt discuss “Labyrinth 76” on our podcast, Contributors in Conversation.

 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Labyrinth 76

Related Posts

top 10 pieces 2025

The Most-Read Pieces of 2025

Browse a list of the ten most-read new pieces of 2025 to get a taste of what left an impact on readers. 2025 was a momentous year for The Common: our fifteenth anniversary, our 30th issue, even a major motion picture based on a story in the magazine.

The Ground That Walks

ALAA ALQAISI
We stepped out with our eyes uncovered. / Gaza kept looking through them— / green tanks asleep on roofs, a stubborn gull, / water heavy with scales at dawn. // Nothing in us chose the hinges to slacken. / The latch turned without our hands. / Papers practiced the border’s breath.