Aphrodite

By DAVID GAVIN 

 

About twelve years ago I went into a museum in southern Turkey:

Antalya, a resort town on the Mediterranean. I’m not really

the type of person who hangs around museums looking

at artifacts behind glass: swords and scabbards, shields,

frayed bits of clothing, shards of pottery, urns, jewelry,

etc. But here I was in Turkey surrounded by antiquities.

Even the pansyion I was staying at had slabs of masonry

inscribed with Roman numerals embedded in its walls.

I mean, everywhere I went there were ruins, temples

and ancient cities: Ephesus, Olympos, Kas, places visited

by Alexander the Great, Julius Caesar, Antony and Cleopatra,

people like that. Places that were pretty old, ancient,

even when they had stopped by. So, I figured I’d check

out the museum. There was a nude marble statue there

of Aphrodite, two, three thousand years old. I stood

for a while and stared at it—at her. She looked so beautiful:

shapely, shy, sensuous, all woman. If I’d closed my eyes

I could almost have imagined her alive and breathing.

 

Terri, I wish I had a picture I could show you.

You see, you look just like her. Sunday morning

when you climbed out of bed and walked across

the room, I lay there and said to myself,

“There she is: Aphrodite of the Plains.”

 

David Gavin’s poem “Aphrodite” appears in Issue 6 of The Common.

[Purchase your copy of Issue 06 here]

 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Aphrodite

Related Posts

Map

DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves. // There are of course other blank slates / on my body such as the thoughts / and events ahead. // Along with the senses, / the seven continents describe / two movements every day

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.