Overlook Kentucky

By RACHEL DANIELLE PETERSON

Dayton, Ohio 1984
Sie reinigen sich mit Feuer.
“They cleanse themselves with fire.”
 
Sometimes, it turns up ta Mama in polyester,
Those invisibles then or otherwise who kin
read her face, mine. Him, callin’ fer Yvonne.
 
Hey Yvonne! The memoree of some stranger
his shoulder’s shadow plunges inta our place:
thunk, thunk. Run! Mother’s vowels pierce haze.
 
Mother, can we distil the pink threads, fabric,
black ball cap, the odor of Bud Light, fills the door
she walks through, dust, Mamma. Dust is all we is
 
the knock leads inta porch, cement on bare feet,
only a stuffed Bambi knows lips open in prayer
ta a vengeful gawd while another immaculate sun spills
 
towards another dawn. Somehow, this small pulse
will tense up quite at any doctor too too close ‘ta throat,
toes, all me then blurree, before he gives me paired spectacles.
 
Whut will linger on, or be charred like barbecue,
tastes I still savor? Wracked on coals, memorees remind us
of shame an’ need. Seen, unseen, even gloree can sting.
 

Rachel Danielle Peterson was born in Harlan, Kentucky. She holds an MA in religious studies as well as an MFA in poetry. Peterson is a contributing editor at Poets’ Quarterly, a member of VIDA, and a Vermont Studio Center Residency Fellow. She is also a teacher, writer, and speaker who has traveled around most of the United States as well as the world. Her work has been featured in Arsenic Lobster, The Common, Front Porch, Her Royal Majesty, Literary Imagination, The Inspirer, The Los Angeles Review, Midwestern Gothic, Revolver, Upstart, and elsewhere. A Girl’s a Gun, her first book of poetry, was selected for the 2017 University Press of Kentucky’s New Poetry and Prose Series, judged by Lisa Williams, and was published last November.
 
[Purchase Issue 16 here.]

Overlook Kentucky

Related Posts

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?

October 2024 Poetry Feature: New Poems By Our Contributors

NATHANIEL PERRY
Words can contain their opposite, / pleasure at once a freedom and a ploy— / a garden something bound and original / where anything, but certain things, should thrive; / the difference between loving-kindness and loving / like the vowel shift from olive to alive.

Image of laundry hanging on a line.

Real Estate for the Blended Family (or What I Learned from Zillow)

ELIZABETH HAZEN
Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.