Untitled

By GIAMPIERO NERI

 

By the end of the summer of 1943, a stretch of time that had seemed to me unbelievably long and even more so in my memory, a good-sized colony of strangers had arrived in town.

Then it emerged they were Jewish.

They’d found lodgings in several houses and one of these families had come to live near us, we shared a courtyard.

We would never see anybody, however, except for a girl who had to take

care of errands.

I used to run into her by chance on the road or near home.

She must have been fourteen or fifteen. She had fat braids of hair on each side of a face that was serious, perhaps sulky.

I started greeting her and she answered back kindly, without showing any surliness. With the passing of the days I realized I was looking for these encounters, which always seemed casual.

One evening we saw the whole family pass by, the rather stout father, the mother and a certain number of kids, among whom the girl must have been the oldest. They occupied the middle of the provincial road, and they were holding hands.

That was the only time we saw them together, and also the last one.

They’d gone away just as they’d come.

It was said they’d crossed the border, which was a few kilometers from us.

I however had seen her just the evening before, and we’d exchanged a few words. I’d had the impression she wanted to say something.

 

 

Translated by Martha Cooley

 

In 2012, when Giampiero Neri’s latest poetry collection, Il professor Fumagalli e altre figure, was published, he received the Carducci Prize for lifetime achievement. 

 

[Purchase your copy of Issue 05 here]

Untitled

Related Posts

cover of HEIRLOOM

March 2025 Poetry Feature: Catherine-Esther Cowie’s Heirloom

CATHERINE-ESTHER COWIE
Her eye-less eye. My long / longings brighten, like tinsel, the three-fingered / hand. Ashen lip. To exist in fragments. / To exist at all. A comfort. / A gutting. String her up then, / figurine on the cot mobile. / And I am the restless infant transfixed.

Dispatches from Mullai Nilam, Marutha Nilam, and Neithal Nilam

VIJAYALAKSHMI
There is fire everywhere, / both inside and outside. / Unaware of the intensity of the fire, / they maintain silence / like the serenity of a corpse. / From the burning fire / bursts out a waterfall tainted in red. / All over the shores have bloomed / the flaming lilies of motherhood.

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.