Spa Days

By KEETJE KUIPERS

I drive through the yellow ribcage of maples
arching the road, past the butch woman I want
to be, raking leaves in her front yard, hair
slicked back at the sides. Yesterday, searching
the internet for winter tights, I found crotchless ones,
a model’s diffident fingertips barely obscuring
the hairless glow of her pussy, and remembered
the years I spent lying on a table in a quiet room,
piped sound of harps descending from the ceiling,
while some other woman carefully made my body
as smooth and unthreatening as a child’s.

I didn’t hate those days, or the men I then took
to bed, though I was always trying to fuck my way
towards the woman I believed was hidden
inside each one of them. I knew it would require
a deep dive, a sinking past waves and midnight zones.
How strange to discover then what I’ve become
through that slow, fruitless searching—the water
itself, every dark glitterless bit of it like the back
of a rhinestone: flat, matte surface where you
put the glue. And the music, all these years later,
still ringing in my ears from that distance above me.

 

Keetje Kuipers‘s third collection, All Its Charms, includes poems honored by publication in the Pushcart Prize and Best American Poetry anthologies. Keetje has been a Stegner Fellow and Margery Davis Boyden Wilderness Writing Resident. She is the editor of Poetry Northwest and a board member at the National Book Critics Circle.

 

[Purchase Issue 25 here.]

Spa Days

Related Posts

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

November 2024 Poetry Feature: New Work from our Contributors

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?