The Decline and Fall of the Roman Empire

By MATTHEW TUCKNER

                                          Rome, New York
                                          after Austin Araujo

In my favorite picture of you, the hair blown across
your face, obscuring your face, it’s easy to make out,
deep in the distance, the hangers of the air force base
classified as a superfund site, a sprawling huddle
of buildings expanding out into the extent of the valley.
Volatile organic compounds, the report says. Solvents
poured into the aquifer. Hair blown across your face,
obscuring your face, & beyond it, a tree, its leaves
swept in a single direction, further evidence for the wind
that once carried into the rolling green hills the ash
& wreckage of the failed fighter jet tests run by
the bombardment wing. A wind, untranslatable into image,
except for its consequence. A face, erased, blotted out
by the hair that I would part, if the moment wasn’t gone.
Out of sight, like the discarded munitions lining the three
identical landfills the picture lacks the dimensions to contain,
covered, as they are, by sheets of concrete, your face
no longer a face but an artifact hiding what’s hidden.
The film forming foam, the layers of lead-based fuels
that seeped for years into the water wells, now dormant,
frozen in time the moment I cracked open the aperture
of the lens, flooding it with color, overexposing the image
until everything in my sight was obscured by light.

 

Matthew Tuckner received his MFA in creative writing at NYU and is currently a PhD student in English / creative writing at the University of Utah. His debut collection of poems, The Decline and Fall of the Roman Empire, is forthcoming from Four Way Books.

[Purchase Issue 28 here.] 

The Decline and Fall of the Roman Empire

Related Posts

cover of HEIRLOOM

March 2025 Poetry Feature: Catherine-Esther Cowie’s Heirloom

CATHERINE-ESTHER COWIE
Raise the dead. The cross-stitched / face. Her eye-less eye. My long / longings brighten, like tinsel, the three-fingered / hand. Ashen lip. To exist in fragments. / To exist at all. A comfort. / A gutting. String her up then, / figurine on the cot mobile. / And I am the restless infant transfixed.

Tomato on tomato plant

A Tomato Behind a Glass Cage

SARAH WU
Through the glass, we watch her pour a pale yellow substance from a small white bucket. It splashes against spots of red tomatoes. She’s using urine! the alumna says excitedly. I wonder at how easily this old woman in the glass cage has become foreign. How ancient, and how strange.

Dispatches from Mullai Nilam, Marutha Nilam, and Neithal Nilam

VIJAYALAKSHMI
There is fire everywhere, / both inside and outside. / Unaware of the intensity of the fire, / they maintain silence / like the serenity of a corpse. / From the burning fire / bursts out a waterfall tainted in red. / All over the shores have bloomed / the flaming lilies of motherhood.