Legend

By JOHN FREEMAN

My father’s father 
rode the rails west
into Grass Valley
and buried three
children in the
shadow of a tree that
spread its arms
around his bakery.

Cold nights he saw
stars he didn’t know
existed, and heard
wild animals howling
with a loneliness he
did know.
His wife was dead. Every
morning he woke

to the bread and 
chill, horses snuffling
in the dark. He had
starved before,
in Canada, a winter
so ragged it killed
his dog, and this grief
was that feeling,
shifted north into
his chest.

A soul is not a 
diamond pressed
down into something
hard like rock,
but rather, the word
my father’s father
said to himself on
those too-cold
California nights when all
he could see was
the work ahead of him,
the dead behind—
her name
He’d say her name.

John Freeman’s most recent book is Tales of Two Cities: The Best and Worst of Times in Today’s New York. His poetry has appeared in The New Yorker and The Paris Review. He is the editor of Freeman’s, a new biannual literary journal.

[Purchase your copy of Issue 10 here.]

Legend

Related Posts

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?

October 2024 Poetry Feature: New Poems By Our Contributors

NATHANIEL PERRY
Words can contain their opposite, / pleasure at once a freedom and a ploy— / a garden something bound and original / where anything, but certain things, should thrive; / the difference between loving-kindness and loving / like the vowel shift from olive to alive.

Image of laundry hanging on a line.

Real Estate for the Blended Family (or What I Learned from Zillow)

ELIZABETH HAZEN
Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.