About the Muses

By CATHERINE STAPLES

Some say three, others nine. Varro claimed
one was born of water, another played daylight

like wind, invisible as the airs on Caliban’s isle.
A third made a home of the human voice singing.

Dear Hesiod, perhaps it wasn’t the Muses
you glimpsed on sodden farm fields:

barefoot, sopping wet—
but just a few village girls and cousins.

Lashes of rain, blowing mist, their arms
linked wrist by wrist

until they broke and sang. And a great haul
of wind shook the crowns of trees,

leaves twisting white, a bough cracked high.
You heard it—a shadow swayed and fell.

A red fox fairly flew through, his umber tail
flaming like the Perseids—was it then

you knew you were never alone,
that the voice welling up wasn’t strictly yours?

The girls gone. There under the dripping trees
a herd of deer, eight or nine at least.

 

Catherine Staples is the author of The Rattling Window and Never a Note Forfeit. Her poems have appeared in The Gettysburg Review, Kenyon Review Online, Poetry, The Southern Review, and others; new work is forthcoming at The Yale Review and Commonweal. She teaches in the Honors and English programs at Villanova University. 

 

[Purchase Issue 17 here.]

About the Muses

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.