Aubade, Carrington Woods

By KERRY JAMES EVANS

When I wake, I look out the window
and see Jesus descending a tornado
in the front yard. He’s all arms-out, white robe,
gold sash, a pair of Pope-like slippers.
He’s glowing, iridescent—
more rainbow than a postcard.

The neighbors are getting lawn chairs,
staring up, waving, praying—dogs
barking, Mary’s catching the spirit,
yelling at the dogs in tongues
to get them all to Shut up! But
they’re dogs witnessing our Lord

and Savior, Jesus Christ of Nazareth,
descend a non-destructive tornado
in a rural Georgia town, and if Mary
doesn’t hurry, she’ll be late for yoga class,
when, right on time, the tornado winds
itself down and the neighborhood

goes quiet—even the dogs. Then,
morning light like a candle
behind a pink rose—a silence
beyond time—his voice as plain
as yours or mine asking for directions,
which is why he showed up, lost.

And when everyone begins to see
really see why he’s here, they do
what people have always done,
they fold up their lawn chairs
and go back to work, while Mary
gives him directions over a cup of tea.

 

Kerry James Evans is the author of Bangalore. He lives in Milledgeville, Georgia, where he teaches in the creative writing program at Georgia College & State University and serves as the poetry editor for Arts & Letters.

[Purchase Issue 26 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Aubade, Carrington Woods

Related Posts

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.

Portrait of Daniel Tobin in front of low trees

The Grave Fox

DANIEL TOBIN
No kindred of an earth, it must stalk alone, / or scavenge what the visitants leave behind. // or bird’s eggs, rabbits, the odd neighborhood / cat wandered over from some nearby home. / Its tail affects the lilt of a semaphore; its pelt // a finish of rust in sunlight.

Supermarketing

LAUREN DELAPENHA
For example, the last time I asked God / to kill me I was among the lemons, remembering // the preacher saying, God is a God who is able / to hunger. I wonder, // aren’t we all here for that fast / communion of a stranger reaching // for the same hydroponic melon?