Aubade, Carrington Woods

By KERRY JAMES EVANS

When I wake, I look out the window
and see Jesus descending a tornado
in the front yard. He’s all arms-out, white robe,
gold sash, a pair of Pope-like slippers.
He’s glowing, iridescent—
more rainbow than a postcard.

The neighbors are getting lawn chairs,
staring up, waving, praying—dogs
barking, Mary’s catching the spirit,
yelling at the dogs in tongues
to get them all to Shut up! But
they’re dogs witnessing our Lord

and Savior, Jesus Christ of Nazareth,
descend a non-destructive tornado
in a rural Georgia town, and if Mary
doesn’t hurry, she’ll be late for yoga class,
when, right on time, the tornado winds
itself down and the neighborhood

goes quiet—even the dogs. Then,
morning light like a candle
behind a pink rose—a silence
beyond time—his voice as plain
as yours or mine asking for directions,
which is why he showed up, lost.

And when everyone begins to see
really see why he’s here, they do
what people have always done,
they fold up their lawn chairs
and go back to work, while Mary
gives him directions over a cup of tea.

 

Kerry James Evans is the author of Bangalore. He lives in Milledgeville, Georgia, where he teaches in the creative writing program at Georgia College & State University and serves as the poetry editor for Arts & Letters.

[Purchase Issue 26 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Aubade, Carrington Woods

Related Posts

New York City skyline

Lawrence Joseph: New Poems

LAWRENCE JOSEPH
what we do is // precise and limited, according to / the Minister of Defense, // the President / is drawing a line, // the President is drawing / a red line, we don’t want to see  / a major ground assault, the President says, / it’s time for this to end, / for the day after to begin, he says, // overseer of armaments procured

rebecca on a dock at sunset

Late Orison

REBECCA FOUST
You & I will grow old, Love, / we have grown old. But this last chance // in our late decades could be like the Pleiades, winter stars seen by / Sappho, Hesiod & Galileo & now by you & me. // Let us be boring like a hollow drill coring deep into the earth to find / its most secret mineral treasures.

Waiting for the Call I Am

WYATT TOWNLEY
Not the girl / after the party / waiting for boy wonder // Not the couple / after the test / awaiting word // Not the actor / after the callback / for the job that changes everything // Not the mother / on the floor / whose son has gone missing // I am the beloved / and you are the beloved