By IVAN VLADISLAVIĆ

Nieuwenhuizen stood on the verge, in the darkness, looking down the street. In one hand he held a brown imitation-leather portmanteau; in the other some small, cold coins given to him by a taxi-driver moments before. The tail-lights of the taxi flared up at the end of the street, and vanished.

Nieuwenhuizen turned to the plot. It was smaller than he’d been led to believe, no more than an acre, and overgrown with tall grass and weeds. The land was bounded on two sides by an unruly hedge, breaking against the night sky, and on a third by a prefabricated cement wall with panels in the shape of wagon-wheels. The fourth side, where he found himself, had once been fenced off from the street: the remains of this frontier—crumpled scrolls of barbed wire, a gate, some club-footed wooden posts in concrete boots—lay all around. He tightened his grip on his change with one hand and on the sponge-swaddled handle of his portmanteau with the other, high-stepped over a tangle of wire, and pushed through the grass, onwards.