Julia Pike

No Bad Things

Artist: C-MACKENZIE
Curated by AMY SANDE-FRIEDMAN

C-MacKenzie, Pool Party 03, 2011

C-MacKenzie, Pool Party 03, 2011

C-MacKenzie (Chris MacKenzie) removes the background imagery from his photographs, creating uncanny visions of people in surreal blank settings. Although his figures often assume the pose of spectators, they gaze upon nothingness. In creating these images, C-MacKenzie draws on his background in motion picture editing and post production, in which mistakes are removed from an image and figures are pasted to scenery. He envisions his artistic process as “withholding information” from the viewer.  By negating the sense of place, C-MacKenzie creates an unknowable and mysterious world.

No Bad Things
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The Views

By KOBUS MOOLMAN

 

Above all else, as a writer, I need a view. And it doesn’t have to be a view of anything particularly striking. If I think back to all the rooms I have worked in as a writer, and all the different views that each of those rooms looked out on, then certainly there have been no rolling hills or mist-swept vistas. Quite the opposite.

The Views
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Rent-a-Grandma

Artist: ELIZA STAMPS
Curated by AMY SANDE-FRIEDMAN

grandma booth

Last month at the Philadelphia Art Alliance, Eliza Stamps, with her collaborator Amy Linsenmayer, unveiled the first edition of The Kiosk—a micro, mobile exhibition space that can be adapted to house a variety of art projects in different locations. Rent-a-Grandma, the premier Kiosk installation, on view through November 25, is a cozy interior where visitors can interact with actual grandmothers.

Rent-a-Grandma
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The Body

By HAIDEE KRUGER

the Body rearranges
itself around
the other.       points of entry and exit,
embraces.     Embraces.     the
thrill of skin.         density
surrenders to Liquid.         semen, blood,
mucous, milk.         the Body yields to

The Body
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