Olivia Zheng

Friday Reads: March 2015

By CATE MCLAUGHLIN, DIANA BABINEAU, GREGORY CURTISTERESE SVOBODA, KELLY FORDON, OLIVIA WOLFGANG-SMITH

With the arrival of spring we’re leaping bravely into unfamiliar worlds—safe in the hands of experts, of course. An eerie peripheral dreamscape; quotidian life viewed from upside down or inside out, never as expected; the dark bureaucracy of the criminal underground; messages ferried to and from ghosts—these are unmapped terrains, and what better companions than these authors, their first cartographers? Expand your world(s) this month with these suggestions from our contributors and staff.

Recommended:

Bone Map: Poems by Sara Eliza Johnson, Aimless Love: New and Selected Poems by Billy Collins, Blood and Money by Thomas Thompson, Self-Portrait in Green by Marie NDiaye, Elegies for the Brokenhearted: A Novel by Christie Hodgen.

Friday Reads: March 2015
Read more...

Friday Reads: February 2015

This month we’re playing in the borderlands, exploring the spaces between categories. Intercontinental love stories; strangers in strange lands; the struggle to remain constant in a world of transience. These books bend genre and their subjects navigate the passages between success and failure, present and past, public and private life—between where they are and where they have in mind.

Recommended:

Middle Men by Jim Gavin, The Shape of a Pocket by John Berger, Mo’ Meta Blues: The World According to Questlove by Ahmir “Questlove” Thompson and Ben Greenman, Americanah by Chimamanda Ngozi Adichie, Belonging: A Culture of Place by bell hooks.

Friday Reads: February 2015
Read more...

Cease-fire

people by forest

1. Seocho via Gangnam

My family and I are struggling along Teheran Road in Seocho-dong, Seoul, and it is my fault. I should have conducted us one stop farther to Gangnam Station, where the number ten exit would have deposited us in front of our destination, but we are disoriented by the city’s newness and haven’t yet learned the subway stations, nor do we know the banks and stores and restaurants piled atop each other in metallic high-rises footnoted by cafés and tea rooms and dessert shops. It is late May, nearly summer, when people punctuate meals with shaved ice covered with red bean jelly, rice cakes, diced fruit, grain powder, green tea, condensed milk, and ice cream for more richness. Humidity surrounds us and compresses our chests, though the forecast today says “mildly dusty.” Tomorrow, when it says “very dusty,” the sky adopts a yellowish tinge from pollution that Koreans claim drifts over from industrialized China. The passersby do not wear sunglasses, a strange omission for a country obsessed with pale and poreless complexions.

Cease-fire
Read more...

Review: Landscape with Plywood Silhouettes

Book by KERRIN MCCADDEN
Reviewed by DARA BARNAT

Landscape with Plywood Silhouettes

Kerrin McCadden’s poignant debut collection of poetry, Landscape with Plywood Silhouettes, is filled with composed wisdom for how to cope with separation in general, and divorce in particular. The collection won the New Issues Poetry Prize in 2014, and McCadden’s poetry has appeared widely in Best American Poetry 2012,American Poetry Review, Poet Lore, and elsewhere.

Review: Landscape with Plywood Silhouettes
Read more...

Stories We Tell

By MARIAN CROTTY

 

1.   A few days before I moved to Baltimore this summer, I read an article about the city’s racial dynamics that had just been published by D. Watkins, a relatively young black writer who’d grown up in Baltimore. He described a city so racially segregated that it felt like two different places: one black, one white; one dangerous, one quaint; one introduced to him as a kid growing up in East Baltimore and one that he found later as a college student in North Baltimore, attending the predominately white private liberal arts college, where I had just accepted a job. Watkins painted a picture of two adjacent but separate worlds, a place where, he says, white people somehow manage to host literary events in a city that is more than 60% black without one black face in the crowd.

Stories We Tell
Read more...

Friday Reads: January 2015

As we begin 2015, our recommenders are heading into the wilderness. These books range widely through time and space, each embracing its own unique heart of contradiction—exile and home; passion and failure; reason and chaos; doubt and confidence. Heavy with both fictional biography and memoir, we bring you familiar faces from the dark woods of alienation and obsession. Dive into the new year with these five maps by which to recognize yourself and find a path through the forest.

Recommended:

The Same Roads Back by Frank Dullaghan, The Season of Migration by Nellie Hermann, Swimming Studies by Leanne Shapton, A Madman Dreams of Turing Machines by Janna Levin, Fourth of July Creek by Smith Henderson

Friday Reads: January 2015
Read more...

Review: Almost Famous Women

Book by MEGAN MAYHEW BERGMAN
Reviewed by KELLY FORDON

Almost Famous Women

Fans of Megan Mayhew Bergman’s first short-story collection, Birds of a Lesser Paradise, which appeared in 2012, have been looking forward to her second collection ever since. The premise of Bergman’s new book, Almost Famous Women, is immediately intriguing. Bergman culled through the annals of history to locate women who brushed up against fame, thanks to proximity to famous people or now-forgotten accomplishments. Publisher’s Weekly commended her for this “feminist reclamation” of narratives largely ignored; a compilation of 13 fictionalized tales of women including James Joyce’s daughter, Lucia; Butterfly McQueen, the actress who played Prissy in “Gone with the Wind”; Allegra Byron, Lord Byron’s cast-off daughter; and Dolly Wilde, Oscar Wilde’s impetuous, drug-addled, niece.

Review: Almost Famous Women
Read more...

Review: The Narrow Road to the Deep North

Book by RICHARD FLANAGAN
Reviewed by FRANCESCA DE ONIS

the narrow road to the deep northA bee
Staggers out
Of the peony.

Richard Flanagan’s new novel, The Narrow Road to the Deep North, begins with an enigmatic haiku by Basho, a 17th century Japanese poet, which evokes a state of sublime consummation or mortal exhaustion, in other words, how love and war, beauty and horror are inextricably entwined.

Flanagan has explored these opposites of the human condition in three previous novels, set in Van Dieman’s Land, now the island of Tasmania, off the coast of New Zealand. In The Narrow Road to the Deep North, the 2014 winner of the Man Booker Prize, and in Flanagan’s other work, this remote, timeless region is his equivalent of Faulkner’s Yoknapatawpha or Marquez’s Macondo, a mythic terrain in which he explores the resilience and courage of the human spirit.

Review: The Narrow Road to the Deep North
Read more...

Where I Once Belonged: A Tribute to Kent Haruf

By JAMES ALAN GILL

I studied history in college, because it seemed somehow practical (don’t ask me why), and after three years of study I realized that I was a mediocre historian at best, that what I loved about researching the past were the stories, and so I took a creative writing class.

By sheer luck that class was taught by Kent Haruf. I had no idea of the tradition of great writers who had taught at Southern Illinois University (before Kent, Richard Russo and John Gardner held his faculty position), nor the already strong and growing writing program that was present in 1995 when I was there. I walked into the first day of class like any other, hiding my nervousness with aloofness. I never had the text for any class on the first day.

Where I Once Belonged: A Tribute to Kent Haruf
Read more...