Sarah Wu

Podcast: Leo Ríos on “Lencho”

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Transcript: Leo Ríos

 
Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.

headshot of leo rios next to issue 26 cover

Podcast: Leo Ríos on “Lencho”
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An Ode to I-5

By JANICE LOBO SAPIGAO

image of the hazy road with the sun shining down. POV, windshield of a car

I-5, California

I’ve driven up and down California via the Interstate-5 freeway countless times. There are many ways to find a way through its veins, but I am mostly familiar with the drive between the San Francisco Bay Area and Los Angeles or San Diego. I’ve lived a lot of life in and between these three major cities in California, and even at age 36, I am still learning to appreciate the distance between NorCal and SoCal, as well as the static landscapes that I have spent hours gazing at intently.

An Ode to I-5
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Nothing You Expect: Joseph O. Legaspi Interviews January Gill O’Neil 

headshots of o'neil and legaspi
JANUARY GILL O’NEIL and JOSEPH O. LEGASPI have been friends for almost three decades, since the mid-90s, when they met at orientation in the beat-up lounge of New York University’s creative writing program. The two simply hit it off, bonded over brie, and shared poetics, both starry-eyed on their first venture into New York City.

January is the author of the newly minted collection, Glitter Road, her fourth book published by CavanKerry Press. Her previous titles are Underlife, Misery Islands and Rewilding. She is associate professor at Salem State University and currently serves as board chair of the Association of Writers and Writing Programs (AWP). The interview was conducted over Zoom in December 2023. Full transparency: Joseph traveled to visit January outside of Boston for a weekend in September, braving a storm that drenched New York City, and arriving three hours late. But instead of “getting to work,” they hung out as good friends do and enjoyed each other’s company, relishing in nourishment, and sustenance.

 

Nothing You Expect: Joseph O. Legaspi Interviews January Gill O’Neil 
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Puppets

By MANISHA KULSHRESHTHA
Translated by CHINMAY RASTOGI

Piece appears below in both English and the original Hindi.  

Translator’s Note

Hindi is comprised of words from a variety of regional languages of India and has various dialects. The way people speak it changes almost every hundred kilometers, with the language taking on a new garb and flavor, just like the clothes and food of the people who speak it. What delighted me about this story was the place it is set in and the dialect of the characters. It’s not common to come across literature set in the remote areas of Rajasthan, full of Marwari words (the primary language of the people of the state). As someone who spent most of his life in this state, I was even more invested to present the dialect, life, and customs of the communities.

Puppets
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Podcast: Vix Gutierrez on “Don’t Step Off the Path”

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Transcript: Vix Gutierrez

Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.

portrait of vix gutierrez

Podcast: Vix Gutierrez on “Don’t Step Off the Path”
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Translation: Sindhu Library

By GEET CHATURVEDI
Translated by ANITA GOPALAN

Piece appears below in both English and the original Hindi.

 

Translator’s Note

There is an inherent quiet music and a brokenness in the story “Sindhu Library” excerpted from Geet Chaturvedi’s fiction Simsim. In its simple external reality, the story thinks with images and situations. There is a delicate textuality in the characterizations that take shape in a kind of leisureliness, be it the old man sitting among tattered books in his library or the balloon woman appearing at the start and end of the story, which is very poetic. I have translated the author’s pauses whenever I could, building a balance between language and sensation, between rhythm and vacuum.

Translation: Sindhu Library
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This Is Salvaged: Vauhini Vara in conversation with Talia Lakshmi Kolluri

headshot of  Vauhini Vara

In this conversation-in-correspondence, TALIA LAKSHMI KOLLURI and VAUHINI VARA discuss Vauhini’s electrifying collection, This Is Salvaged, and its themes of connection, the evolution of the self, and the incomprehensible nature of grief. Kolluri and Vara explore craft, how work evolves over time, and the ways time infuses stories with emotional depth.

This Is Salvaged: Vauhini Vara in conversation with Talia Lakshmi Kolluri
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Boysenberry Girls

By NORA RODRIGUEZ CAMAGNA

June 1978
Central Valley, California

We demanded, we begged, we guilt-tripped our parents for money. We had reached the age where we cared about our image. We no longer accepted garage sale clothes or Kmart blue-light sale items. We wanted the hip-hugging, sailor-pant flap Chemin de Fer jeans, we wanted the upside-down-U-stitch-on-the-butt Dittos, we wanted the iconic Ralph Lauren polo, and we wanted the clunky Connie Clogs. We wanted the clothes our American middle school classmates strutted around in.

Boysenberry Girls
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Don’t Step Off the Path

By VIX GUTIERREZ                                            

When I was finally allowed to leave home on my own, my sister accompanied me on the train from Moscow. For the first leg, anyway. In the morning, she would get off and I would go on to Croatia, alone. We knew the instructions well. No sooner were we inside the sleeper cabin than my sister set to blocking the air vent with clothes and duct tape. It was 1998, and, along with the first popular elections and counterfeit jeans, the Russian Wild Nineties had brought rumors of enterprising thieves who pumped sleeping gas through trains’ ventilation systems, and then went through the cars relieving unconscious passengers of their valuables. Local friends had cautioned us to keep our passports on our persons at all times. But at sixteen, I was short, shy, self-conscious, and prone to vivid imaginations. The prospect of strangers running their hands over my body—unconscious or not—seemed far worse than that of losing my passport, so I left mine in my bag on the seat as a decoy.

Don’t Step Off the Path
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