There is no such thing as silence in the South. There is always the percussive hum of insects, winged bodies waiting in the weeds for dusk. This sound fills the fissure before Coach Meeks fires the gun, while Joanna leans over the spray-painted line in the crabgrass field. She is sixteen but still as stick-legged and bird-chested as she was at twelve, brushing daily knots from her homeschool-length hair because her mother gave up trying to teach her how to make a braid. The billow of smoke erupts from the pistol’s nose before the crack of the blank reaches her ears. Her hair streams behind her, loose and wild, as she pushes off the line. She believes that it makes her faster.
Siani Ammons
Ho’omana’o
By EDWARD LEES
Lahaina, Maui
When I was young, my parents
took me to Pompeii.
I remember the grouped bodies in the museum
of people who had tried to shelter.
Museum Ice (Extended Dance Mix)
Anna was slow to do the math. B saw it instantly—what might be left after everything else melted away. White captions flickered in the dim exhibit hall.
B had turned thirteen that fall, ready to join Anna on a trip that was part research, part treat and adventure, the first time they had left the country together, alone. A few days in Rosario (a university lecture, an interview with a playwright), the long bus to Buenos Aires. Invited to contribute to the itinerary, B asked to see glaciers; Anna booked a half-day trek across the ice.
Passengers all around them had clapped when they landed in El Calafate. “That’s so sweet,” B said, joining in. Anna clapped, too, hoping it was thanks, not bald relief. The tiny airport was rapidly navigated. Advertisements lined the baggage claim, placed to catch a teenager’s eye. “They have an ice bar at the ice museum,” B said. “Can we go? There’s a free shuttle from the tourist office.”