Stone Mountain, North Carolina
A mile into the woods, I am always slightly afraid. Fear’s lace knots the cuff of an otherwise lovely afternoon. Nights, when I peek out of the tent, the moon is a bright friend too far away to help.
Stone Mountain, North Carolina
A mile into the woods, I am always slightly afraid. Fear’s lace knots the cuff of an otherwise lovely afternoon. Nights, when I peek out of the tent, the moon is a bright friend too far away to help.
Providence, RI
Existential Field Notes: Diner
If secrets are transmitted here
no neon will say, just the same
on-unless-it’s-off messages of
abundance. Bottomless coffee,
sure, and five pages of menu —
By G.G. HARROW
Eastern Kentucky
After Terrance Hayes and Wanda Coleman
Attachment 1
country music is Black — indigenous — immigrant — almost successfully paved over — i made these poems from 36 common words in top-selling country songs since the ’90s according to a concert ticket corporation
By DARLENE WEST
British Columbia, Canada
In the mornings, I like to follow our border collie on his nose-to-the-ground rounds: out to the creek at the edge of our land; up to the vegetable garden near the foothills; across the back yard. Sometimes, the hair on the back of his neck stands up.
Our farm land in southern British Columbia borders a mountainous wilderness. My husband and I find curiosities on our property all the time: peaches picked from our trees; tunnels under our fences; grape cluster stems, cleaned of berries. Now and then, feeding our fascination with the unknown: strips of grass, chiseled out of the lawn, coiled like jelly rolls. What roams around here at night after we turn out the lights?
Hydra, Greece
There are no streetlights between the old slaughterhouse and the edge of town. The road that links them feels longer than its few hundred barren meters, proceeding above a rocky slope that ends in channel water—the former landing place of blood and entrails, arriving by chute while dogfish gathered. Six nights per week, a young woman makes her way along this route, tiny phone-light in hand, walking toward the main village on the Greek island of Hydra. Her name is Marina. I’ve known her since she was a child.
Long Island, NY
Interior of a silver Volvo wagon, back door pockets stuffed with Candy Ring wrappers, pencils, and rocks; I am looking in the rear-view mirror or over my right shoulder into the backseat, my left hand on the wheel, right hand on the seat back next to me. Two small boys, both with eyes the exact color as my own, stare back at me, pleading or explaining or demanding or questioning or laughing or crying or sulking or fighting or trying to hide. The car smells vaguely Cheerio-like. No matter the music, the soundtrack is chatter and the rhythmic kicking of a seat back. They also like punching each other’s seat warmer buttons with their feet to be annoying.
Eastern Shore, Maryland
My late husband was a man who invented facts. He was Danish by birth, and at a dinner party he mentioned that aardvark was Danish for hard work. “Copenhagen households keep them to clean the floors,” he said. Our otherwise intelligent friends, who hadn’t been to Denmark, believed him.
Kharpert rooftops, Ottoman Empire, c. 1910s. Photo by unidentified photographer, copied by K.S. Melikian of Worcester, MA.
Project SAVE Photograph Archive. Courtesy of Arra S. Avakian
Kharpert
Stories
When I woke in the morning
and begged for stories, Gram said
don’t talk too much, flies
will get into your mouth.
I still wanted a story.
She’d say later, after our work.
She tied an apron around me,
pulled the stool to the table,
gave me parsley, cracked wheat,
ground lamb, and my own basin
of water to wet my hands
as we worked together.