Fiction

from Dust

By YVONNE ADHIAMBO OWUOR

Prologue

He leaps over two fire-painted blossoms resting on the stark cracked city pavement. Roused, these unfurl into late-Christmas-season orange-and-black butterflies that flutter into the violet shade of a smog-encrusted roadside jacaranda tree. A thrum becomes a hum becomes thumping footsteps, and soon he is entangled in a thicket of jeers and tossed gray, black, and brown stones as he flees toward a still-distant night. It is said that in combat some soldiers shoot over their enemies’ heads in order to avoid killing them. Some don’t even fire at all. Moses Ebewesit Odidi Oganda’s fingers tremble on the trigger of an old, shiny AK-47. He hurls the gun away with an “Urgh!” The weapon spills across the road—a low-pitched, guttural noise.

from Dust
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Blue Mountains

By JAMIE EDGECOMBE

Dr. Nakajima had a poem in his head. It went something like, however far I go, blue mountains.

‘Ah,’ the Doctor thought, ‘I like the style of Taneda Santka. He is modern, yes, but his poems are easy enough to remember in volume. They are neat and simple and great for these summer days when the mountains grow taller on the horizon with every step. What a joy life is, when someone else puts words around it.’

Blue Mountains
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The Servant

This week, as an end-of-summer treat, we present you three stories by The Commoncontributors originally published in our special Summer Fiction Issue.  Enjoy!

bench

The Servant 

By BIPIN AURORA 

The Servant
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Maygold

By VIRGINIA REEVES

The first pest to make itself known in the orchard was the stinkbug, malevolent and focused. It worked at the sap in the fruit, sucking the water from the flesh, leaving behind gnarls and distortions—catfacing, Mona heard it called, though the injured peaches she plucked from her 
trees’ branches looked nothing like a cat’s face, but more a woman’s, withered by sun.

Maygold
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Brushfire

By ANNE SWÄRD

One dry, aimless day in an infinitely long summer, a brushfire broke out beside the railway that carved through the landscape. A landscape already scorched by the sun, my landscape, open and gently sloping down toward the lake.

It burned in the field of barley and along the railway embankment, smelled of singed weeds and tar, white-hot rails, blackened barbed wire. Insects and field mice burned. The earth burned. The blackthorn bushes crackled, the turkey sheds smoldered and screeched. Something was changing, a feeling of security melted away; a different mood would take its place.

Brushfire
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Forgetfulness

By NORMAN LOCK 

for David Moore

1.

We worry about the gifts. Unable to sleep, we think to ourselves how best to please her, what gift will be most memorable, anxiously turning over the pages of catalogues or searching the Internet—each of us in our own room, dark except for a ghostly light shed by the computer screen. Next morning 
we hurry to her house with some token or other purchased earlier, hoping to be among the first to knock at the door and, having been let inside the house by her son, to press into the old woman’s hands a porcelain thimble, a tortoise-shell comb, a bottle of the chocolate liqueur she favors—asking only that we 
be remembered by her. Not everyone visits her in the morning; some believe that to be among the last of the day’s visitors will leave a more durable impression. Few have nerve enough to forgo a visit even for a single day, especially now that she is failing, the consequences of which have been widely and fervently discussed. I side with those convinced of the worst-case scenario, but I am a habitual pessimist: one of the “doom and gloom camp,” says David, who has known me since childhood. His outlook may be sunnier than mine, but he never misses a visit to the old woman, and his gifts are generous.

Forgetfulness
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Lukas and Elsa

By EARLE MCCARTNEY

1.

Søren sat on his stoop rasping his hands together, listening to his sister Elsa shouting inside the house. She had been coming home late, and Søren’s father was finally speaking up. Lukas Clemens’s Mustang—a rebuilt black muscle car whose engine Lukas had somehow replaced with a stock-car Hemi—stood idling in the driveway, its headlights casting long shadows behind the tilted stakes of their mother’s abandoned garden. Søren thought he could hear Lukas and Elsa laughing. Just as he’d decided he should go in and help, the door swung open, and the two of them barged out. Lukas patted Søren on the head and said, “Later, buddy.” Elsa pinched his ear and twisted it, then ran through the snow saying, “Don’t wait up!” The Mustang roared and carried her away.

Lukas and Elsa
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High Heels

By TERESE SVOBODA

There’s smoke and there’s children burning their fingers on 
the cashews they pluck from the fire.

The boatman wants us to hire him, says the Swahili-speaker among us, but first this boatman is searching for wood for a new tiller. The Swahili-speaker also says not to try for the cashews in the fire ourselves. Papayas will fall, we’ll whack them down with sticks, he says. Let the children have the nuts.

High Heels
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