THERESA MONTEIRO and ABBIE KIEFER are poets with recently published debut collections. Monteiro’s Under This Roof examines the magnitude of human experience through the details of the ordinary. Kiefer’s Certain Shelter addresses the death of a parent, a Maine mill town’s long fade, and the search for refuge in a faltering world. Both books are deeply rooted in domestic spaces. In this conversational interview, the poets and friends discuss the challenges of writing about quotidian places in surprising ways and how they use the specific and personal to comment on universal themes: loss, empathy, connection, and mystery.
Interviews
Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar
RAYCHELLE HEATH sits down with CAROLINE M. MAR to discuss reconciliation, poetic form, and Caroline’s new chapbook, Dream of the Lake.
Raychelle Heath: Dream of the Lake is such a beautiful read, and I have so many questions. Our first encounter with the lake takes us through the stages of drowning. So I’m wondering, how do you see that as an entry point into the world of the book? And why did you want the reader to encounter the lake this way first?
Caroline M. Mar: That’s a good question. I had been trying to write poems about Lake Tahoe for several years and the poems were not working. They were very sentimental, or I couldn’t get beyond “Gosh, it’s so pretty.” Because it is really beautiful. It is spectacular in a way that defies description. It was easy for me to get lost in all of the beauty of it, but I knew that that wasn’t complicated enough. I knew that I was trying to ask some pretty complicated questions of myself, of my reader, and of the landscape.
A New Kind of Campus Novel: Bruna Dantas Lobato on Her Debut Novel
EMILY EVERETT interviews BRUNA DANTAS LOBATO
Back in 2017, The Common published a debut short story by a young Brazilian-American writer with a beautiful, understated style, and an enormous talent for translating big emotions into quiet gestures, thoughtful moments, and tense, restrained dialogue. Publishing debuts is always meaningful, but the best part comes after: watching those early-career writers go on to greater and greater successes.
Last year, that writer, Bruna Dantas Lobato, was awarded the 2023 National Book Award in Translation for The Words That Remain by Stênio Gardel. And this month, her debut novel is out from Grove Atlantic’s Black Cat imprint. She sat down with TC managing editor Emily Everett via Zoom to talk about that novel, Blue Light Hours. Zoom felt like a fitting medium: Blue Light Hours follows a first-year college student communicating with her mother back in Brazil only via Skype. They also discussed her work translating from Portuguese, and the pleasures and pitfalls of connecting with her home country through writing and translation. Bruna was born and raised in Natal, Brazil, and now lives in Iowa.
Am I a Fraud? Are We All? An Interview with Aparna Nancherla
APARNA NANCHERLA is in a class of her own. A writer, comedian, actor, and podcast host, Nancherla returned to her alma mater, Amherst College, for a conversation with The Common’s editor-in-chief, JENNIFER ACKER, during LitFest 2024. The two discussed her diverse creative portfolio, standup as a mode of self-expression, and her newest memoir-in-essays, Unreliable Narrator: Me, Myself, and Imposter Syndrome. This interview has been edited and condensed for clarity. For a recording of their full conversation and more about LitFest, visit the Amherst College website.
It’s a Gift to Be Alive: Jennifer Acker interviews Hannah Gersen
HANNAH GERSEN is a novelist whose fiction ranges from the strictly realist to the gently speculative. Her first novel, Home Field, is a deeply felt story about family and grief in rural Maryland, described as Friday Night Lights meets My So-Called Life. Her second, most recent novel, We Were Pretending, leaps into today’s most pressing crises–climate change, the creep of technology–through the lens of Leigh Bowers, an at-sea single mom trying to secure a better future for her daughter and a better death for her mother, who is dying of cancer. It’s beautifully written, imaginative, and elegiac with surprising twists and turns.
You Have a Mouth: Rachel Morgenstern-Clarren interviews Ani Gjika
ANI GJIKA’S An Unruled Body won the 2021 Restless Books Prize for New Immigrant Writing and has been longlisted for the 2024 Mass Book Awards in Nonfiction. In this interview, Ani Gjika and poet and translator RACHEL MORGENSTERN-CLARREN delve into the profound influence of language and literature, particularly in the context of women’s liberation. They explore the pivotal role of books and language in empowering women, and shed light on the transformative and essential nature of literary expression in combating censorship, serving as a form of healing after traumatic experiences, and offering a new language to write about and confront the past.
Violence and Its Other: Toti O’Brien Interviews Dimitris Lyacos
DIMITRIS LYACOS describes his new book, Until the Victim Becomes our Own, as a prequel to his world-renowned trilogy, Poena Damni—which begins with a fugitive on a train, but never clarifies what, whom, and where from he has fled, hinting at the past only through the traces it left, showing us a mere geography of scars. Until the Victim Becomes our Own reels us back to the pre-fugue universe, mapping both an archeological grid and a bird’s-eye view of our very own Western civilization, founded on Judeo-Christian traditions, then evolved through industrialization and capitalism up to the digitally-global present day.
Though he was bound to Israel when TOTI O’BRIEN reached out to him with her questions, Lyacos agreed to interweave their conversation with his travels, and we are glad he did.
Return to One’s Roots, Return to a Person, Return to Oneself: Vika Mujumdar Interviews Susana Praver-Pérez
Susana Praver-Pérez’s work, moving fluidly between English and Spanish, from Puerto Rico to California and New York, is a moving meditation on how place shapes our understanding of ourselves and the world. Praver-Pérez’s debut collection Hurricanes, Love Affairs, and Other Disasters, and recent collection, Return Against the Flow, reckon with how we make a place home, considering with care and generosity the landscape of Puerto Rico and its impact on her selfhood. In lyrical, narrative poems, Praver-Pérez examines how geography is defined by its landscape and people. Through the narrativization of lived experience and the intertextual poetry of others, Praver-Pérez’s collection, Return Against the Flow is a necessary documentation of the way language shifts across landscape and time.
In this interview, VIKA MUJUMDAR and SUSANA PRAVER-PÉREZ discuss place and geography, the shifting influences of language, and the transitory nature of diasporic belonging.
Poetry as an Ethnographic Tool: Leah Zani interviews Adrie Kusserow
ADRIE KUSSEROW and LEAH ZANI are a rare sort: trained cultural anthropologists and poets, anthro-poets. The two met while Adrie was judging the Ethnographic Poetry Prize, the world’s only prize for poetry written by anthropologists. Shortly after, they began working together on the editorial team of Anthropology and Humanism, one of the few peer-reviewed academic journals that accepts poetry.
In this interview, Leah Zani connects with Kusserow about her latest memoir, The Trauma Mantras: A Memoir in Prose Poems (Duke University Press, 2024), a collection of prose poems based on Kusserow’s experiences with refugee communities and humanitarian projects in Nepal, India, Bhutan, Uganda, South Sudan, and the United States. In this conversation, they discuss the lyricism of suffering and the role of poetry in enriching deep anthropological understandings of place.
Writing into Negative Space (Absence): Tiana Nobile interviews Sarah Audsley
Tiana Nobile (left) Sarah Audsley (right)
Sarah Audsley’s debut poetry collection Landlock X (Texas Review Press, 2023) is described by Sally Keith as “formally active in its interrogation; it is as if somewhere—in poetry, in art, in translation—there is a combination for righting the painful history of adoption, for learning to live simultaneously with and against.” Audsley has received support for her work from The Rona Jaffe Foundation, Vermont Studio Center, and the Banff Centre. In this interview, long-time poet-friends TIANA NOBILE and SARAH AUDSLEY discuss writing into negative space. Their intimate conversation touches on contending with audience, silences, absence, and writing from the perspective of the adoptee experience.