Interviews

“The Last Nail in the Coffin”: Ilan Stavans Interviews John Sayles

John Sayles

“Not just a place, but a place in its time, has a character. That character affects who people are. In a movie it certainly affects the way that you shoot.

Today we are thrilled to feature an original, exclusive interview between The Common contributor Ilan Stavans and filmmaker and writer John Sayles. Stavans and Sayles discuss the differences between fiction writing and filmmaking, the challenges and comfort of writing historical fiction, and the importance of place in both book and movies. Sayles recently published A Moment in the Sun (McSweeney’s, 2011) and directed the newly released Amigo (Variance Films, 2011).

“The Last Nail in the Coffin”: Ilan Stavans Interviews John Sayles
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Ingres at the Morgan

By JENNIFER ACKER

IngresPortrait of Charles-Désiré Norry (1796-1818), 1817
Graphite
Signed, inscribed, and dated at lower left, Ingres à Mr. Norry / Pere. / rome / 1817
Purchased as the gift of Mr. and Mrs. Claus von Bülow, 1977
Photography by Graham Haber, 2011

From September 9 to November 27, 2011, The Morgan Library & Museum presents seventeen exquisite drawings and some letters by French master Jean-Auguste-Dominique Ingres. In this interview, editor Jennifer Acker talks with curator Esther Bell about these drawings and the artist’s refined sense of place.  

Ingres at the Morgan
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Editor’s Corner: A Conversation with Hannah Tinti

JEFFREY CONDRAN interviews HANNAH TINTI

Hannah TintiPhoto by Linda Carrion

 

Periodically, The Common will feature conversations with editors that illuminate the wide-ranging nature of their work and their creative lives. In today’s piece, Jeffrey Condran talks with One Story editor Hannah Tinti about the writer/editor relationship, The Good Thief, and the relevance of digital tools to the literary community.

Editor’s Corner: A Conversation with Hannah Tinti
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That Irresistible Idea: An Interview with Maura Candela

By HANNAH GERSEN

Maura Candela is one of my favorite writers, as well one of the best storytellers I’ve ever met—two talents that don’t necessarily go hand-in-hand. Her debut fiction, “The Boys’ Club” was featured in the first issue of The Common. Maura has also recently finished a novel called The Love Dogs, which is set in contemporary New York and deals, in part, with the long-term effects of 9/11 on rescue workers and their families.

That Irresistible Idea: An Interview with Maura Candela
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Voices from Japan

HANNAH GERSEN interviews ROLAND KELTS

Aside from Haruki Murakami, much of Japanese writing remains unknown in the U.S., simply because it is not translated into English. Now, thanks to collaboration between the Brooklyn-based literary magazine, A Public Space, and the Tokyo-based literary magazines, Monkey Business, a special English-language edition of Monkey Business is available in the US. This special edition, called “New Voices from Japan”, will showcase the best of the magazine’s first three years of publication and will include stories, poetry, and non-fiction, including an interview with Murakami.

As Stuart Dybek writes in a letter introducing the issue: “The books and anthologies that line my shelves attest to the fact that we live in a golden age of translation.  Even so, it’s rare to have a literary magazine like Monkey Business appear in English. It arrives with the sense of discovery and immediacy that one reads literary magazines for.”

Voices from Japan
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Let’s Talk About Revolution: a Conversation Between Deb Olin Unferth and Jennifer Acker

Deb Olin Unferth likes to change it up. Her first book was the story collection Minor Robberies, then came the novel Vacation, and this winter she published a memoir. Revolution: The Year I Fell in Love and Went to Join the War, like much of her other work in other forms, tells a daring story rife with humor and touched with melancholy, desire, and regret.

Let’s Talk About Revolution: a Conversation Between Deb Olin Unferth and Jennifer Acker
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