By BEN SHATTUCK
I was seventeen when I met David, back in 1916. Now I don’t very much care to count my age. It’s April 1972 here in Cambridge. White puffballs that must be some sort of seedpod have been floating by the window above my writing desk for days, collecting on the sidewalk like first snow.
Translated by JENNIFER ACKER
The three of them play cards in the dining room. This is the story. Nothing else. Collectively, they’re almost three hundred years old. They drink juice and laugh. Now one of them turns on a small radio, which plays “Autumn Leaves.”
By JOHN MURILLO
Whitewalls Mudflaps
Late night howling down
a dark dirt road Headlights
killed and so the world gone
black but for the two blunts
lit illuminating Jojo’s fake gold
grin One girl each screaming
from the backseat we raced
the red moon rawdogged
the stars
The rain had just finished saying, This block is mine.
The kind of rain where you could sleep through two breakthroughs and still have enough left to belly sing in the ambrosial hour.
Blood pellets in the dusk & dashes of hail were perfect for finding new stashes; that is to say, visitations were never announced.
A broken umbrella handle posed a question by the day care center.
We broke the law and into smiles.
We sowed dissent and daffodils.
We wiped our tears and private files.
We stacked the deck and dollar bills.
By TERE DÁVILA
They started building right away, as soon as it was safe to go outside.
“I can feel them moving!” Cristina squealed, standing knee-deep in leaves.
“Their teeth tickle!” laughed Zoe.
Something had caught their attention as they searched for pebbles and twigs. They crouched amid the soggy storm debris, then sprang up, kittenlike, uncombed curls against the gray sky, chattering and unaware of my presence. But as soon as they saw me approaching they stopped and exchanged looks. Cristina bit her bottom lip and smiled, a small and well-calculated gesture of contrition designed to deflate a scolding, but Zoe, the eldest, fixed her eyes on me, and her body tensed. She seemed ready to run, like a surprised wild thing.
By JOANNA KLINK
What have you, in such indignation, become. Dusty—
a vaulted interior echoing with air, envy, blood.
Vanity’s steady hum. Each wrong done to you
a gate that opens forever into storm. Farewell to cobwebs
swept with water-lights. Farewell to children who smile off
into the distance.
By ANA MARÍA FUSTER LAVÍN
Translated by JENNIFER ACKER
An English translation follows the Spanish.
Día 29 desde el huracán y sin luz. Todavía las jornadas en mi trabajo, por la falta de energía, son más cortas. Mi oficina, a la que llamaba (y ya todas mis amistades conocían como) las catacumbas jurídicas, se perdieron, por lo que nos reubicamos en la biblioteca. Intento llegar lo más temprano posible, para traerle agua fría a mi querido amigo y colega Francisco, para preguntarle a los demás cómo están, si han dormido, a Pabsi si tiene gas y saber cómo siguen su mamá y Lalo (el gato), y a la vez contarles o contarnos todos a modo de terapia de grupo que seguimos a oscuras, que algunos no tienen ni techo, que el gobierno nos amputa las esperanzas en pequeños trocitos, que muchos se han ido, muerto, enferman, emigran, permanecen….
In conversation with A Hill in the South Bronx, by Perla de Leon
Estoy buscando un árbol que me de sombra
Porque el que tengo me lo van a cortar
Coro de bomba
This building stands,
the last tree to be cut down
in a garden of brick and steel
made desert of rubble and dust.
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