Issue 30

Ars Poetica: Getaway Car

By JEN JABAILY-BLACKBURN

Telekinesis stories are the girliest stories because they don’t stop
at The Body. They say your borders are so made up. Girlhood is more
than ovaries tossing replica moons at the feet of The Moon.
Our home address is a syntax that serpentines like a mouse
attempting to cross, unperceived, the grandest of ballrooms.
That’s us, always leaping into the getaway car of daydream,
lit up lavender & tangerine. We are dancing with our mouths
like no one is listening because no one is listening but us.
It’s the wild freedom of silly gooseness, feathers to cushion being told
you’re useless, repeatedly, while still being used for everything. It’s waiting
in the waiting room’s washed-out light thinking I am
an exhausted mine. No matter how much care you pour into it,
The Body’s narrative is betrayal. This expirational thing.
Do you really want us to end there?

 

[Purchase Issue 30 here.]

 

Jen Jabaily-Blackburn is the author of Girl in a Bear Suit and works as the program and outreach coordinator for The Boutelle-Day Poetry Center at Smith College. Originally from Braintree, Massachusetts, she now lives in Easthampton, Massachusetts, with her family. For more, find her at www.jenjabailyblackburn.com.

Ars Poetica: Getaway Car
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Faction of None

By TAMAS DOBOZY

The videos of Christmas dinner were for Mom, or so Pete said. His gift, honoring the hours she’d spent preparing the meals. But he couldn’t fool me—or her. He filmed the dinners because it got him out of eating what she cooked: the tofurkey he hated, the beet salad that made him gag, the quinoa that sparkled like a plateful of sand. Pete would rather have starved than eaten food he didn’t like, which was most food, staying skinny as a nail with the hunger he preferred, as if craving was better than sustenance, desire superior to satisfaction, and want itself his personal god.

Faction of None
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The Melnikov House

By MARTHA COOLEY

In 1927, a Russian architect named Konstantin Stepanovich Melnikov built an astonishing home in Moscow for himself and his wife, son, and daughter. Using affordable materials (building supplies were scarce), Melnikov and his son pitched in alongside several hired laborers to frame and erect the house. A photo taken at completion shows the owner—a slender man dressed in a suit, spats, and top hat—standing proudly in front of his home, with his wife (sporting a plaid coat and matching hat) at his side.

The Melnikov House
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