Issues

Between the Lines

By SUJATA SHEKAR

The morning of the announcement, Bo Htet Aung finished his story. He wrote The End at the bottom of the page, shut the notebook, and slipped it into the briefcase he took to work each day. Then he set about ironing a white shirt and blue longyi with more than his usual precision. He wished he could wear his old major’s uniform, with its crisp olive lines and the peaked cap that added two inches to his height. But it was not that kind of day, that kind of announcement. Instead he pulled his traditional taikpon jacket on over his shirt and left it unbuttoned. His fingers shook too much.

Between the Lines
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Dante Or, The End of Poetry

By PATRICK PRITCHETT

for Raul Zurita

And he stirred his coffee, the old poet, and spoke of
Dante, and how Homer’s journey to the underworld
wove a thread through Virgil to the selva oscura. And
that the Commedia was not the apex of Christianity, but
its finale. That the enormous architecture of the poem
was not built to house theology, but to protect man from
the absence of God, who had already departed.

Dante Or, The End of Poetry
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Storm

By WILL SCHUTT

I

After a shower I fill the tub with water, stick fresh candles into candlesticks and brace each heavy planter in the yard. From the rain guard gutter I rake leaves. Watching the sun press through shuttling clouds, I see there’s no such thing as reprieve without broad damage. Electricity comes and goes, yellow leaves circulate in clusters, treetops contort. The dissonance is too like the news, external hysteria masking an inward calm that moves it, a wave of pictures uploaded to iPhones, the opposite of poetry, which prepares the long confusion for its shape.

Storm
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