Before the sea became my journey, it was love,
folktales, it was our origin staring at us,
it was our shadows, then the ships of migration
came, reminding us, that years back, people left
in canoes loaded with hope, with spices, seafarers
who navigated water, holding stars in their bosoms
until the sky became road. We never saw them,
only heard the rumors, only heard they grew wings
Poetry
Quarantine
By HERA NAGUIB
Tonight, I halt to prior ghosts
that upwell again, funerary as the sirens
that shrill through the tracheal alleys.
Snake, Not Serpent; Hopelessness, Not Despair
By ANGIE MACRI
We shouldn’t use Latinate words,
too many syllables, abstractions, flowers.
Instead, use words with Germanic roots,
shorter, to the point. As if half our tongue
was wrong. As if flowers, too,
didn’t belong. Oh, you know what I mean.
Yes, I do: erase those empires and the gods. Say fall,
not autumn; ghost, not phantom;
drought, not famine; fire, not flame.
We have aches, not pains, graves, not tombs.
As if no one from such places
could speak of concrete things,
as if no one came here from such places at all.
Like immigrant. Say one who comes.
Angie Macri is the author of Underwater Panther, winner of the Cowles Poetry Book Prize. Her recent work appears in The Cincinnati Review, The Fourth River, and Quarterly West. An Arkansas Arts Council fellow, she lives in Hot Springs and teaches at Hendrix College.
Fixation
By HALA ALYAN
It’s like knowing there’s |
There’s No Ignoring It Now
For days, doubt struck as does lightning
across the span of night. Illuminated that way,
how did we cross the river? One stone,
then another. The silence between us a keyhole
through which I peeked & found you teasing
off your robe. Love? If it exists,
On Sugar and the Carnival of War
At-sink coffee;
way horizon curry lined.
We’re spilling turbinado
as we spoon out in half light.
Khaleej Times #1
By REWA ZEINATI
the war drove us out—
and into my father’s used white sedan—
Family of Origin Rewrite: 1982
By K. IVER
My father teaches ethics at a university.
My mother teaches ethics at a university.
They save. Their money. Buy
a large bungalow in Connecticut.
They continue. Saving. Enough
to support the San Francisco AIDS
Foundation and their baby.
They read the news and wish kindness
into our laws. One of them will say
Sweden hasn’t been to war since 1812.
The other says you can start a business
in Sweden and get free healthcare.
They’re excited. About my arrival.
They remain. Calm. When
midnight cries wake them.
My father waits. For my mother to heal.
Before asking for sex. She’s good.
At saying no. She throws meditation
and exercise and intense therapy
at her trauma. Still goes to AA.
When wrong. She promptly admits it.
Every night she arrives home from
the university. Her soft. Low voice.
Builds a replica in my throat. She wears
minimal. Makeup. Cuts her nails down
because who needs the fuss. When I walk.
Into a room. And see my father.
I continue walking in. When my father
and I leave. The house. Lots of women
introduce themselves. When we get back
he tears. Their numbers over the trash.
On weekends my father and I dig
in the dirt. I watch him plant
lilac bulbs around the spruce. He lets
my small hand pack the ground.
Affirms it as help. When my father puts.
me to bed with true stories of him
sewing clothes for new mothers
in Ukraine. I fall asleep fast.
a good thing/found
prepare yourself
for entry
prime yourself to be stripped
like something ripe
and swaddled in soft velvet
never mind how the skin feels
Melh
By REWA ZEINATI
Water.
At the shore we don’t build anything. Behind our sunglasses, our eyes dart in every direction. A man carries a sandcastle on his back. A fish. Or is that a tattoo of a fairytale palace? His arms are full sleeves of ink. Maybe he’s been working in the financial district for years. Maybe he’s only here for three days.
In the water we talk salaries and offices and how much saltier this sea is compared to ours. Ours? We talk about hunger, the likelihood of lunch. On my left, Burj Al Arab juts forth its belly of glass and steel.