Choosing a Transitional Object

By LUIZA FLYNN-GOODLETT

Snip Hansons from Teen Beat while debating
Taylor versus Zac so passionately a curl escapes
its barrette and your best friend tucks it behind

an ear before it catches on lip-gloss. Start a fight
so she’ll get picked up early, forgetting a lanyard
on the den’s yellow shag. Wander past beehives,

quiet for winter, into the pasture where a hayloft
gasps open. Bite nails bloody telling yourself how
stupid she is, the fence posts kicked for emphasis.

Eat slices of bread from the bag. Then, diary
on knee, scribble page after page of not a lesbian
before securing the lock, removing its toy key.

Luiza Flynn-Goodlett is the author of the forthcoming collection Look Alive, winner of the 2019 Cowles Poetry Book Prize from Southeast Missouri State University Press, along with six chapbooks, most recently Tender Age, winner of the 2019 Headmistress Press Charlotte Mew chapbook contest, and Shadow Box, winner of the 2019 Madhouse Press Editor’s Prize. Her poetry can be found in Third Coast, Pleiades, The Journal, Barrow Street and elsewhere. She serves as editor-in-chief of Foglifter and lives in sunny Oakland, California.

[Purchase Issue 18 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Choosing a Transitional Object

Related Posts

Headshot of Brionne Janae

September 2026 Poetry Feature

BRIONNE JANAE
did you keep your mind? / you got to walk it for yourself / and on returning what state did you find it in? / as in what state were you in? / were you where you left yourself? / and who was left? / was anyone left? / and how sure were you that you could reach them?

Cover of Dear Mothership

August Poetry Feature

ELLEN HINSEY
Never forget: the Tyrant time reached others before you—they too weathered the deluge of its tempest-strewn path. For Tyranny always imagines it will write history. But, time and again, it is Justice that will arise, then bow down to write—the history of Tyranny’s demise, instead.

Headshot and Issue 31 cover

Podcast: Lauren Delapenha on “Supermarketing”

LAUREN DELAPENHA
Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process, her time at the Disquiet Literary Program in Lisbon, and balancing both teaching and writing.