Daybreak

By J.J. STARR

Bend to me so that I may present my devotional whispers & gifts made from what bled
out the night before—my god, do not forsake me fragile as an eyelid

I could ask where does the pay check go if not into the cupboards?
but silence is my masterwork a child prodigy it could have been said.

Everything swims, a stranger stands before the house. Do not bite the hand that feeds,
we say this of dogs. We slept in a cold clean room pink as rats that homestead the trees or no—
she brushed me rough. She named me

—no dogs
allowed here, but some child tantrums under the elms, two lights crisscross the distance.

All I want to know is when
I will be remade into the holy thing.

 

J.J. Starr is a poet and writer based in Amherst, Massachusetts. She attended the New York University creative writing program, where she was a Veterans Writing Workshop Fellow. She has received support from Wesleyan University and the Community of Writers at Squaw Valley. Her work can also be found in Drunken Boat, The Shallow Ends, Juked, and The Journal, among others.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Daybreak

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.