Dear Johnny, In Your Last Letter

By ANGELA VERONICA WONG 

 

Dear Johnny,
In your last letter, you requested
. Take my photograph down, you wrote. Disremember.
Yesterday M started talking. All at once, as if inside, she had alphabets that ached to break
out. We were                                 and relieved. We               it would never happen. Johnny, the
tomato plant takes water as if in love, and a map upside down is still a map. The arrows,
,              . I’ve
.                placed Europe above the         .      It hangs like our                   .
Every morning, I
. I trace where you could be: Newbury, Canterbury,                 ,
Maidstone, Kent.         will bring you to another place: Merville, Pas de Calais, Caen,
. You are pushing through fields. In          , one cloud like an apology. I
think the word verdant, and it brings me closer to             . I       the word tomorrow. It
a falling body.                                                     . Johnny, I am busy          history.
We were climbing a hill in                   . The ice soaked through our mittens. I
. You                        . Johnny, the ocean has salt
enough without your blood. I feel your hurried fear, tendoned and tight. You make your
body small. We split at what seems              . We
.   Johnny,                                        .
There are so many spaces my body needs filled.                   Love, your dark-haired
doll.

Angela Veronica Wong is the author of Dear Johnny, In Your Last Letter, chosen by Bob Hicok as a 2011 Poetry Society of America New York Chapbook Fellowship.

Click here to purchase Issue 03

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Dear Johnny, In Your Last Letter

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.