False Ice Cream Shop / Falsa Heladería

By MARA PASTOR
Translated by MARÍA JOSÉ GIMÉNEZ

She asked me for an ice cream machine.
When she said it her collarbones were pronounced.
They were beginning to wilt,
but her skin was the flesh of coconut itself.
She wanted a machine to make ice cream,
to sell it in the neighborhood
and pay for the maintenance
of houses she no longer inhabits.
It didn’t matter that she had returned
from a post-war city.
To remodel the interiors of an Ottoman past.
Nothing mattered.
There was no work on this island.
I wish I could tell her:
“The ice cream machine will fix everything.”

//

Ella me pidió una máquina para hacer helado.
Cuando lo dijo tenía las clavículas pronunciadas.
Empezaban a marchitarse,
pero su piel era la carne misma del coco.
Quería una máquina para hacer helado,
venderlos en la urbanización
y así pagar el mantenimiento
de las casas que ya no habita.
Nada importó haber regresado
de una ciudad en postguerra.
Remodelar los interiores de un pasado otomano.
Nada importó.
No había trabajo en esta isla.
Yo quisiera decirle:
“La máquina de hacer helado lo arreglará todo”.

 

Mara Pastor is a Puerto Rican poet. Her works include the translated chapbooks As Though the Wound Had Heard and Children of Another Hour, and, in Spanish, Sal de Magnesio, Arcadian Boutique, and Poemas para Fomentar el Turismo. She lives in Ponce, Puerto Rico. 

María José Giménez is a poet, translator, and editor who has received fellowships from the National Endowment for the Arts, the Banff International Literary Translation Centre, and the Katharine Bakeless Nason Endowment. Assistant translation editor of Anomaly, Giménez is the translator of Tilting at Mountains (Edurne Pasaban), Red, Yellow, Green (Alejandro Saravia), and As Though the Wound Had Heard (Mara Pastor). 

[Purchase Issue 16 here.]

False Ice Cream Shop / Falsa Heladería

Related Posts

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.

February 2025 Poetry Feature: New Poems by Our Contributors

MARC VINCENZ
Oh, you genius, you beehive, / you spark, you contiguous line— / all from the same place of origin // where there is no breeze. // All those questions posed … / take no notice, the image / is stamped on your brow, even // as you glare in the mirror, // as the others are orbiting

Excerpt from The Math of Saint Felix

DIANE EXAVIER
I turn thirty-two / the sky is mostly cloudy / over my apartment / facing Nostrand // and all my parents are dead // I am rolling my hips / toward death in a dying / city on a planet dying / just a touch slower than me // and one sister jokes we only need thirty more years